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Discover the Best Private Music composition Classes in Tunis

For over a decade, our private Music composition tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in Tunis, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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2 music composition teachers in Tunis

Trusted teacher: CONFIGURATIONS LOGICIEL ET MATÉRIEL Logic Pro 10 ou 11 : Présentation, points forts, innovations et idées reçues Branchement et configuration de vos périphériques Choix du matériel en fonction de votre budget et de vos besoins Configuration et optimisation de votre Home Studio Préférences et réglages du logiciel Téléchargement et gestion des bibliothèques de sons GESTION DE PROJETS DANS LOGIC PRO Création et configuration d'un nouveau projet Gestion des modes de Logic Pro (simplifié ou expert) Préférences et réglages du logiciel et de vos projets Configuration tempo, métronome, décompte, chiffrage de mesure et tonalité Sauvegarde immédiate, dossier, paquet L'INTERFACE DE LOGIC PRO Les différentes fenêtres Les outils principaux et secondaires, les Zooms, les raccourcis claviers Les inspecteurs de tranche de console, de piste, de région, utilisation de l’aide La bibliothèque, les patchs, les modules (plug-ins), les sons Les navigateurs de Logic Pro (Apple loops, listes...) Les éditeurs MIDI, audio et Session Player La table de mixage Barre de commande et d’affichage, la barre d’outils LE MIDI DANS LOGIC PRO Piste d'instrument : Création, personnalisation de la piste Enregistrement MIDI Réglage du métronome, du décompte et de la latence Choisir un instrument, un son, un patch Les modes d'enregistrement : Live, pas à pas, en dossiers, autopunch Édition : Outils, Piano Roll, éditeur de partitions et éditeur pas à pas Quantification, redimensionnement, vélocité, légato, expression, modulation L’automation MIDI LE SESSION PLAYER DE LOGIC PRO Le Session Player; les instrumentistes virtuels de Logic Pro Drummer acoustique : Choix du batteur, modification des éléments, édition du jeu, swing et humanisation Bass et Keyboard Player : Choisir un son, articulations, mode de jeu et variations Structure ULTRABEAT Interface de l’Ultrabeat, sons et styles des 100 drum kits Beat-Making : Sequencer interne, mode full view et pattern mode Les paramètres Accent, vélocité, gate et swing Introduction au Step Sequencer associé à Ultrabeat, les régions de motifs LES APPLE LOOPS les Types de boucles : Audio, MIDI, Motifs et Session Player Organisation, filtres et recherche par instrument, styles et sonorité Navigateur, tempo, longueur, tonalités, modifications Création, sauvegarde et archivage des Apple Loops personnelles Construire un arrangement avec les Apple Loops L’ENREGISTREMENT AUDIONUMÉRIQUE Enregistrement : pré-amp, conversion AD/DA, latence, buffer et monitoring Réglages de projet : fréquence d’échantillonnage et résolution Enregistrement piste par piste et enregistrement multi-pistes La gestion des modes Autopunch et Replace Les dossiers de prises et les pistes alternatives Mode Cycle EXPLORATION DE KONTAKT Kontakt est votre passerelle vers un trésor inégalé d'instruments virtuels. Plus qu'un échantillonneur, Kontakt a alimenté deux décennies de musiques de films à succès et de succès en tête des charts, ainsi que des milliers d'instruments incroyables. L'ÉDITION AUDIO DANS LOGIC PRO Comping de prises : montage audio et export Les outils d’édition : Selecteur, redimensionnement, fade, crop... Utilisation du Flex pour le timestretch/warp Quantification audio et gestion des transitoires Flex Pitch : Correction de justesse et création d'harmonies Insérer des silences CONFIGURATION DES PISTES GLOBALES DANS LOGIC PRO Disposition : Structure de l'arrangement Marqueurs : Repères et navigation Altération : Tonalité générale et chiffrage des mesures Tempo : Changements de tempo dans les pistes globales ou l'éditeur de liste Pistes d’accords associées aux session Player Bass et Piano LA TABLE DE MIXAGE DE LOGIC PRO Les différentes tranches de console Les composants d'en-tête de pistes, mute, les écoutes solo (pistes/région) Gestion des panoramiques Organiser les Track Stack, les groupes, les VCA Gestion des bus et auxiliaires pour le routing Traitements et effets en insert et/ou en auxiliaire L'AUTOMATION Les techniques générales pour donner de la dynamique à vos mixages Enregistrement d'automations : Read, touch, latch et write Automation de piste/région et édition des automations Assignation de contrôleurs à des paramètres d'automation PARTAGE ET EXPORT D'UN PROJET Sauvegarde : dossier ou paquet, archivage, back up, Time Machine Normalisation et pré-mastering Export au bon format en fonction du support final
Music composition · Percussion · Voice (music)
(30 reviews)
Danny - Antwerp, Belgium£30
Trusted teacher: SONGS generally consist of chord and text lines. But where does that information come from and how do you make something out of nothing? How do you make that one great hIT or how strongly does your new song affect your love? Well, that's called "inspiration processing" and how does that work? Well, I'll tell you that in my course. If you already play the guitar or piano, you are one step ahead. Your instrument is like a trampoline that offers you more options to go further and higher. Most 'songs' are born at the craziest moments. A good songwriter his / her antennas are always open :-) and for some it is a continuous activity. During my course I teach you through all sorts of tips and tricks (including: Travel Chord Duo Method - One Four Five and minor input - Key Word Designation and Relative Chord Progressions etc.) how you can achieve strong songs. For me it is a daily activity and I have been writing all my life for others and sometimes for myself. All in all I have sold more than a million copies worldwide as an author / composer / performer. Is that little or is that a lot? I do not know. It doesn't interest me that much anymore. I want to share my knowledge about how to write a song with motivated people who want to go further than just replaying others' songs. Whether they get stuck somewhere during composing and who are not afraid to seek advice. Music is a life flirt. There are only two types of music: good and bad ... Do you have a foundation of chords, do you want to know how to make a good song .....? Just book an hour to get started. That is the scan hour. Are we lying together and is there a click? If you book and I confirm, then you also know who I am and where I hide :-) Not satisfied after the first 'lesson'? Money Back. Danny
Music composition · Voice (music)
Trusted teacher: Experimentation is an inherent characteristic of electronic music. Nowadays, composing music using technology creates endless creative possibilities that demand the musician/composer to adapt to numerous technical and artistic challenges. Do you like experimenting with sound and making music that does not clearly belong to a particular genre or style? Interested in bringing a fresh perspective and out-of-the-box thinking to your music production? Are you just starting out in electronic music composition and wondering how to develop your own style? This course is just what you need. In this class, you will learn: - how to transform sound using analogue and digital techniques. - how to create sound structures and organise them in a DAW enviroment to compose a piece of music. - how to record, edit and mix sounds using both conventional and experimental techniques. - how to use improvisation in both the context of live performance and composition. - about the theory and practice of free improvisation. - about the history and origins of electronic music and how it affected the music we listen today. - how to document and communicate procedures related to your artistic practice. - how to create an artistic portfolio. Aspiring musicians with a background in any genre can take advantage of this course. A formal education in music or experience with electronic music composition are not required to follow. However, you should be unafraid of experimenting with sound and music technology! Each class is customized to meet the needs of the individual student in an innovative and flexible way! The course can also serve as a preparation for applying to several Dutch educational programmes related to electronic music composition (Institute of Sonology, HKU, ArtEZ, etc.). The class is focused on small assignments that help the student develop a sense of orientation and set goals. Recording, editing, and mixing will be done via the DAW "Reaper," but we can switch to your preferred software at any time. We will use the first lesson to discuss your background, interests, and motivations in order to develop a course structure that is tailored to your needs.
Music composition · Computer generated music · Sound (music)
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Our students from Tunis evaluate their Music Composition teacher.

To ensure the quality of our Music Composition teachers, we ask our students from Tunis to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.8 out of 5 based on 50 reviews.

Experimental electronic music composition / Free improvisation (theory & practice) (Rotterdam)
Yannis
We just have started to work with Yannis, but I am really happy about how we progress and feel inspired and looking forward to future lectures. Yannis teaches me to develop a vision on how to approach working with sound, while recording, processing and using it in electronic composition. I would say he is opening my mind in a way toward the analysing a character of sound as a compositional element. I like that lessons are not only just about a particular technique (and there are so many to learn from Yannis), but about developing a workflow and a mindset. Examples from historical electronic pieces to listen and analyse from legendary electroacoustic composers are really inspirational. After each lesson there is a home task and in the following lecture there is an analysis of the results and based on that Yannis gives lessons on what needs to be changed, improved, pay attention to etc, in order to develop compositional skills. I highly recommend Yannis as a teacher, if you are into modern experimental electroacoustic composition and improvisation.
Review by TARAS
Ableton Live / Make Beats / Write Melodies / Mac and Windows (Steglitz)
Niki
I had a great first lesson using Ableton! Niki spent time helping me with my equipment set-up and also went through some of the settings with me. He explained things very clearly, answered my questions and showed me some of the basic things necessary to find my way as a beginner using Ableton. I now have a few things to try out and I'm excited to start experimenting and seeing what I can record. Thanks Niki!
Review by RAINBOW
Piano, Language, harmony arrangements, composition Improvisation, Musical Softwares, Musical production
Eric
Erick is a really nice and professional teacher. Always willing to help and accommodate to last minute changes. We are super happy to have him as a teacher. He makes piano fun!
Review by GABRIELLA