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Voice (music) lessons in London Borough Of Harrow

Find your perfect private voice (music) tutor in London Borough Of Harrow.
Learn voice (music) with our teachers at home or in their studio.

13 voice (music) teachers in London Borough Of Harrow

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13 voice (music) teachers in London Borough Of Harrow

Trusted teacher: My name is Blanca and I am a lyrical singer graduated from the Escuela Superior de Canto de Madrid. Master in Spanish and Latin American music. Active singer and teacher. I have experience as a teacher of both lyrical and modern and musical singing. I have taught children from 4-5 years old, adolescents, adults and the elderly. I also prepare voices for actors, for choral singers who want to improve and for people who need vocal technique in their work and want to correct or improve vocal delivery, and not get tired talking. I have students of different levels, who start from zero level to students who already sing and are looking for a vocal coach to prepare for different tests or entrance exams, for lyrical singers, musical theater singers and actors. I teach classes in Madrid (Puerta del Ángel area next to Puente Segovia) and at home (consult). Classes for one or several students, small groups too. In the classes you will learn to work the voice technically and interpretively, understanding that the voice works together with the body, posture, resonators, expression, breathing, vocal technique, repertoire, language, color, expressiveness, physical condition and psychology of the singer. The classes are made up of a first technical part with specific exercises to learn how the voice works and training various aspects of the voice such as breathing, air, connection, resonators, etc. with various types of vocalizations focused on working on different aspects. Then we work on the works and songs, applying the knowledge acquired to the repertoire, focusing on the emission, expressiveness and vocal technique necessary for the work and style. We also study the phonetics of the language of the song (Spanish, English, French, German and Italian). I have additional training in classical and modern dance (ISTD) and violin (professional qualification). You can contact me and I will send you more information.
Singing · Voice (music) · Music teacher training
Trusted teacher: Study SING!! ANCIENT ITALIAN SINGING TECHNIQUE!! bell singing style Legacy of teachers Manuel Vicente del Popolo García (Father), Gianni Sicardi and Susana Rossi. I teach the ancient Italian technique of singing. This works the elongation of the vocal cords in a healthy way, allowing from vocal freedom to achieve high and low frequencies very comfortably, dominating the chest voice, mix, head from the same position and developing the voice in a real way without exerting effort. . I also re-educate vocal cords with phonatory problems such as hoarseness, hiatus, nodules, fatigue (due to misuse of the voice) The technique is lyrical based but is also applied in popular styles. I have experience with children, adolescents and adults. I have a degree in music, lyrical singing, classical crossover, rock, soul, jazz, melodic, international, boleros, tangos, etc. I teach North America, Latin America, Europe, Asia. Oriented to singers, dancers, actors, speakers, and beginners. -Intended for all ages -Training for actors, singers and beginners -Coaching for auditions -Reeducation of voices with phonatory problems -Assorted styles. I teach both lyrical and popular. (Opera, Classical Crossover or Lyrical pop, canzonettas, Pop, Folk, Jazz, Soul, blues, Disco, Tango, Rock, etc). In Spanish, English, Italian, German. I give classes to Latin America, the United States, Europe, Asia, etc. It will work from the Ancient Italian Singing Technique, which Master Susana Rossi implemented in Argentina (Legacy of Manuel Vicente del Popolo García), through which the vocal cords are specifically trained. This training not only allows us to experience and connect with the position we had with our children's voice, but it is also possible to experience vocal freedom by releasing our maximum potential, without tensions or pressures, without imitations, and instead knowing our true color of voice and our own essence. Each voice is unique and unrepeatable, and in it is our imprint, our words, our own phrasing and our interior is reflected in it. This is why in addition to having a lyrical base, and being able to sing academic music and styles such as Classical Crossover, popular styles can also be approached, each one of them, in style, with the same technique.
Voice (music) · Singing · Baritone
(30 reviews)
Danny - Antwerp, Belgium£30
Trusted teacher: SONGS generally consist of chord and text lines. But where does that information come from and how do you make something out of nothing? How do you make that one great hIT or how strongly does your new song affect your love? Well, that's called "inspiration processing" and how does that work? Well, I'll tell you that in my course. If you already play the guitar or piano, you are one step ahead. Your instrument is like a trampoline that offers you more options to go further and higher. Most 'songs' are born at the craziest moments. A good songwriter his / her antennas are always open :-) and for some it is a continuous activity. During my course I teach you through all sorts of tips and tricks (including: Travel Chord Duo Method - One Four Five and minor input - Key Word Designation and Relative Chord Progressions etc.) how you can achieve strong songs. For me it is a daily activity and I have been writing all my life for others and sometimes for myself. All in all I have sold more than a million copies worldwide as an author / composer / performer. Is that little or is that a lot? I do not know. It doesn't interest me that much anymore. I want to share my knowledge about how to write a song with motivated people who want to go further than just replaying others' songs. Whether they get stuck somewhere during composing and who are not afraid to seek advice. Music is a life flirt. There are only two types of music: good and bad ... Do you have a foundation of chords, do you want to know how to make a good song .....? Just book an hour to get started. That is the scan hour. Are we lying together and is there a click? If you book and I confirm, then you also know who I am and where I hide :-) Not satisfied after the first 'lesson'? Money Back. Danny
Music composition · Voice (music)
Trusted teacher: CONFIGURATIONS LOGICIEL ET MATÉRIEL Logic Pro 10 ou 11 : Présentation, points forts, innovations et idées reçues Branchement et configuration de vos périphériques Choix du matériel en fonction de votre budget et de vos besoins Configuration et optimisation de votre Home Studio Préférences et réglages du logiciel Téléchargement et gestion des bibliothèques de sons GESTION DE PROJETS DANS LOGIC PRO Création et configuration d'un nouveau projet Gestion des modes de Logic Pro (simplifié ou expert) Préférences et réglages du logiciel et de vos projets Configuration tempo, métronome, décompte, chiffrage de mesure et tonalité Sauvegarde immédiate, dossier, paquet L'INTERFACE DE LOGIC PRO Les différentes fenêtres Les outils principaux et secondaires, les Zooms, les raccourcis claviers Les inspecteurs de tranche de console, de piste, de région, utilisation de l’aide La bibliothèque, les patchs, les modules (plug-ins), les sons Les navigateurs de Logic Pro (Apple loops, listes...) Les éditeurs MIDI, audio et Session Player La table de mixage Barre de commande et d’affichage, la barre d’outils LE MIDI DANS LOGIC PRO Piste d'instrument : Création, personnalisation de la piste Enregistrement MIDI Réglage du métronome, du décompte et de la latence Choisir un instrument, un son, un patch Les modes d'enregistrement : Live, pas à pas, en dossiers, autopunch Édition : Outils, Piano Roll, éditeur de partitions et éditeur pas à pas Quantification, redimensionnement, vélocité, légato, expression, modulation L’automation MIDI LE SESSION PLAYER DE LOGIC PRO Le Session Player; les instrumentistes virtuels de Logic Pro Drummer acoustique : Choix du batteur, modification des éléments, édition du jeu, swing et humanisation Bass et Keyboard Player : Choisir un son, articulations, mode de jeu et variations Structure ULTRABEAT Interface de l’Ultrabeat, sons et styles des 100 drum kits Beat-Making : Sequencer interne, mode full view et pattern mode Les paramètres Accent, vélocité, gate et swing Introduction au Step Sequencer associé à Ultrabeat, les régions de motifs LES APPLE LOOPS les Types de boucles : Audio, MIDI, Motifs et Session Player Organisation, filtres et recherche par instrument, styles et sonorité Navigateur, tempo, longueur, tonalités, modifications Création, sauvegarde et archivage des Apple Loops personnelles Construire un arrangement avec les Apple Loops L’ENREGISTREMENT AUDIONUMÉRIQUE Enregistrement : pré-amp, conversion AD/DA, latence, buffer et monitoring Réglages de projet : fréquence d’échantillonnage et résolution Enregistrement piste par piste et enregistrement multi-pistes La gestion des modes Autopunch et Replace Les dossiers de prises et les pistes alternatives Mode Cycle EXPLORATION DE KONTAKT Kontakt est votre passerelle vers un trésor inégalé d'instruments virtuels. Plus qu'un échantillonneur, Kontakt a alimenté deux décennies de musiques de films à succès et de succès en tête des charts, ainsi que des milliers d'instruments incroyables. L'ÉDITION AUDIO DANS LOGIC PRO Comping de prises : montage audio et export Les outils d’édition : Selecteur, redimensionnement, fade, crop... Utilisation du Flex pour le timestretch/warp Quantification audio et gestion des transitoires Flex Pitch : Correction de justesse et création d'harmonies Insérer des silences CONFIGURATION DES PISTES GLOBALES DANS LOGIC PRO Disposition : Structure de l'arrangement Marqueurs : Repères et navigation Altération : Tonalité générale et chiffrage des mesures Tempo : Changements de tempo dans les pistes globales ou l'éditeur de liste Pistes d’accords associées aux session Player Bass et Piano LA TABLE DE MIXAGE DE LOGIC PRO Les différentes tranches de console Les composants d'en-tête de pistes, mute, les écoutes solo (pistes/région) Gestion des panoramiques Organiser les Track Stack, les groupes, les VCA Gestion des bus et auxiliaires pour le routing Traitements et effets en insert et/ou en auxiliaire L'AUTOMATION Les techniques générales pour donner de la dynamique à vos mixages Enregistrement d'automations : Read, touch, latch et write Automation de piste/région et édition des automations Assignation de contrôleurs à des paramètres d'automation PARTAGE ET EXPORT D'UN PROJET Sauvegarde : dossier ou paquet, archivage, back up, Time Machine Normalisation et pré-mastering Export au bon format en fonction du support final
Music composition · Percussion · Voice (music)
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Our students from London Borough Of Harrow evaluate their Voice (Music) teacher.

To ensure the quality of our Voice (Music) teachers, we ask our students from London Borough Of Harrow to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.8 out of 5 based on 45 reviews.

Guitar and singing lessons - Antwerp and surroundings - private (Antwerp)
Danny
My first lesson was really good learnt a lot and felt comfortable in his presence. He knows how to teach..and at ease. Looking forward for my next lesson.
Review by MARIO
Singing lessons for beginners and advanced (Tegel)
Zany
Very happy with the first class ! Zany takes her time and makes the lesson enjoyable. It’s a safe space to learn openly and make mistakes.
Review by USER
Recorder, flute, guitar, voice and solfège (Saint-Josse-ten-Noode)
Cecília
Cecília is a very good teacher and nice person. My daughter enjoyed her first lesson a lot and she is looking forward to the next one.
Review by EMILIE