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Discover the Best Private Voice (music) lessons in Harringay

For over a decade, our private Voice (music) tutors have been helping learners improve and realise their ambitions. With one-to-one lessons at your home or in Harringay, you’ll enjoy high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

Private lessonsVoice (Music)Voice (Music) in Harringay

5 voice (music) teachers in Harringay

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5 voice (music) teachers in Harringay

Maria - Argentina£22
£22SINGING CLASSES -Ancient Italian singing technique
Trusted teacher: Study SING!! ANCIENT ITALIAN SINGING TECHNIQUE!! bell singing style Legacy of teachers Manuel Vicente del Popolo García (Father), Gianni Sicardi and Susana Rossi. I teach the ancient Italian technique of singing. This works the elongation of the vocal cords in a healthy way, allowing from vocal freedom to achieve high and low frequencies very comfortably, dominating the chest voice, mix, head from the same position and developing the voice in a real way without exerting effort. . I also re-educate vocal cords with phonatory problems such as hoarseness, hiatus, nodules, fatigue (due to misuse of the voice) The technique is lyrical based but is also applied in popular styles. I have experience with children, adolescents and adults. I have a degree in music, lyrical singing, classical crossover, rock, soul, jazz, melodic, international, boleros, tangos, etc. I teach North America, Latin America, Europe, Asia. Oriented to singers, dancers, actors, speakers, and beginners. -Intended for all ages -Training for actors, singers and beginners -Coaching for auditions -Reeducation of voices with phonatory problems -Assorted styles. I teach both lyrical and popular. (Opera, Classical Crossover or Lyrical pop, canzonettas, Pop, Folk, Jazz, Soul, blues, Disco, Tango, Rock, etc). In Spanish, English, Italian, German. I give classes to Latin America, the United States, Europe, Asia, etc. It will work from the Ancient Italian Singing Technique, which Master Susana Rossi implemented in Argentina (Legacy of Manuel Vicente del Popolo García), through which the vocal cords are specifically trained. This training not only allows us to experience and connect with the position we had with our children's voice, but it is also possible to experience vocal freedom by releasing our maximum potential, without tensions or pressures, without imitations, and instead knowing our true color of voice and our own essence. Each voice is unique and unrepeatable, and in it is our imprint, our words, our own phrasing and our interior is reflected in it. This is why in addition to having a lyrical base, and being able to sing academic music and styles such as Classical Crossover, popular styles can also be approached, each one of them, in style, with the same technique.
Voice (music) · Singing · Baritone
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(1 review)
Claire - L'Isle-Adam, France£56
£56Singing, vocal technique for speaking and singing.
Trusted teacher: A TCM-certified vocal instructor and vocal coach, I teach beginning and advanced singers, amateur and pro. I teach principles of healthy, balanced phonation using the TCM approach. TCM is an evidence-based approach to vocal health for speaking and singing, developed by British voice researcher and teacher Allan Wright. It is based on current research in vocal physiology, acoustics, vocal rehabilitation and vocal pedagogy, and caters to all singers, regardless of musical style or aesthetics. I also provide classes to actors and all other voice professionals who wish to train or re-train their voice for speaking or singing. I also offer artistic coaching in my classes, approaching interpretation in full respect of the style in which singers wish to express their artistry, providing them with a toolbox of targeted, effective, playful techniques to help them achieve their musical goals. I like to create and maintain a collaborative, focused and benevolent working atmosphere in all of my classes and workshops. As a singer, I self-accompany on piano or guitar, and I offer singers who accompany themselves training tips to enhance their self-accompanied singing and/or playing. Singers/actors/voice professionals may choose to have lessons either on a regular basis or occasionally, whenever they seek a solution to a particular vocal problem. Each class includes a vocal warm-up, discussion of vocal or musical objective for the class, followed by work on a song or text - or passage from a song or text - which the singer needs technical or musical help with. Classes end with a short vocal cool-down and a recap of what we worked on and what proved most helpful, so that students know precisely what to work on between classes. I was trained and certified in Nantes (France) by Allan Wright, and have been teaching TCM since 2012 to singers who express themselves in different musical styles. I also use TCM in corporate and community settings to help voice professional from all venues. TCM brings about rapid and lasting benefits both to singers who wish to develop a healthy, powerful singing voice, and to singers or speakers who seek relief from vocal fatigue and need to retrain their voice to cope with the vocal demands of their profession.
Voice (music) · Public speaking
(8 reviews)
Dirk - Ghent, Belgium£29
£29Singing course and vocal coaching for those who want to learn to sing and who want to learn to use the voice better
Trusted teacher: No, we don't think that being able to sing is absolutely necessary for actors. Not every actor or actress has the ambition to appear in a musical and not every series or film features singing. Still, vocal coaching is a good idea... whether you want to learn to sing or not! With your course fee you can participate in any of our courses whenever you want. This way you can not only learn to act, but also taste our courses in debate and presentation techniques (our TV course), communication, singing, improvisation, 'physical acting', lie detection, hypnosis, directing, or writing! Of course, the following applies: the more you follow 1 particular course, the faster you progress. More info Anyone who has ambitions as a singer or who wants to expand his or her skills to make it easier to land a role will soon end up taking singing lessons... but also those who have no intention of ever performing songs. can benefit greatly from vocal coaching. You often have to be on set for a long time and then it is important to use your voice properly, so that it does not get tired and you can speak as powerfully after hours of recording as before. Finally, it is very useful to be able to put different effects on your voice. Just think of the raspy character of Gollum in The Lord of the Rings, the barking explanations of Samson, the full voice of Kabouter Plop or the grunted insults exchanged in The Chronicles of Sabrina. Judiciously used voice effects can not only add color to characters, they are sometimes essential or almost automatically arise from emotional moments. So being able to use them correctly and maintain control over them without damaging your vocal cords is essential. What you learn As is the case with almost all of our courses, we teach you techniques from different approaches. For our singing lessons, these are Speech Level Singing (SLS), Estill Voice Training (EVT) and Complete Vocal Technique (CVT). Here are some things that will pass in review: • The similarities and differences between the three major singing techniques • Using support • The larynx, lips, and other organs that help control voice production • Add necessary twang • Add air or not • Different vocal modes (with CVT): neutral, curbing, overdrive and edge. • Variety of voice effects including: creaking, distortion, grunting, rattling, screaming, vibrato and ornamentation • For actors: relationship between voice color, effects and the playing of all kinds of characters • For actors: the relationship between stem kle Extras • Help with the CV • Assistance with admissions • Help in choosing the right equipment • Help with finding auditions • Syllabus with pdf of the book Complete Vocal Technique You can participate whenever you want!
Singing · Voice (music)
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(1 review)
Stéphane-Miguel - Montpellier, France£45
£45Cours de MAO et de composition sur LogicPro 10 & 11
Trusted teacher: CONFIGURATIONS LOGICIEL ET MATÉRIEL Logic Pro 10 ou 11 : Présentation, points forts, innovations et idées reçues Branchement et configuration de vos périphériques Choix du matériel en fonction de votre budget et de vos besoins Configuration et optimisation de votre Home Studio Préférences et réglages du logiciel Téléchargement et gestion des bibliothèques de sons GESTION DE PROJETS DANS LOGIC PRO Création et configuration d'un nouveau projet Gestion des modes de Logic Pro (simplifié ou expert) Préférences et réglages du logiciel et de vos projets Configuration tempo, métronome, décompte, chiffrage de mesure et tonalité Sauvegarde immédiate, dossier, paquet L'INTERFACE DE LOGIC PRO Les différentes fenêtres Les outils principaux et secondaires, les Zooms, les raccourcis claviers Les inspecteurs de tranche de console, de piste, de région, utilisation de l’aide La bibliothèque, les patchs, les modules (plug-ins), les sons Les navigateurs de Logic Pro (Apple loops, listes...) Les éditeurs MIDI, audio et Session Player La table de mixage Barre de commande et d’affichage, la barre d’outils LE MIDI DANS LOGIC PRO Piste d'instrument : Création, personnalisation de la piste Enregistrement MIDI Réglage du métronome, du décompte et de la latence Choisir un instrument, un son, un patch Les modes d'enregistrement : Live, pas à pas, en dossiers, autopunch Édition : Outils, Piano Roll, éditeur de partitions et éditeur pas à pas Quantification, redimensionnement, vélocité, légato, expression, modulation L’automation MIDI LE SESSION PLAYER DE LOGIC PRO Le Session Player; les instrumentistes virtuels de Logic Pro Drummer acoustique : Choix du batteur, modification des éléments, édition du jeu, swing et humanisation Bass et Keyboard Player : Choisir un son, articulations, mode de jeu et variations Structure ULTRABEAT Interface de l’Ultrabeat, sons et styles des 100 drum kits Beat-Making : Sequencer interne, mode full view et pattern mode Les paramètres Accent, vélocité, gate et swing Introduction au Step Sequencer associé à Ultrabeat, les régions de motifs LES APPLE LOOPS les Types de boucles : Audio, MIDI, Motifs et Session Player Organisation, filtres et recherche par instrument, styles et sonorité Navigateur, tempo, longueur, tonalités, modifications Création, sauvegarde et archivage des Apple Loops personnelles Construire un arrangement avec les Apple Loops L’ENREGISTREMENT AUDIONUMÉRIQUE Enregistrement : pré-amp, conversion AD/DA, latence, buffer et monitoring Réglages de projet : fréquence d’échantillonnage et résolution Enregistrement piste par piste et enregistrement multi-pistes La gestion des modes Autopunch et Replace Les dossiers de prises et les pistes alternatives Mode Cycle EXPLORATION DE KONTAKT Kontakt est votre passerelle vers un trésor inégalé d'instruments virtuels. Plus qu'un échantillonneur, Kontakt a alimenté deux décennies de musiques de films à succès et de succès en tête des charts, ainsi que des milliers d'instruments incroyables. L'ÉDITION AUDIO DANS LOGIC PRO Comping de prises : montage audio et export Les outils d’édition : Selecteur, redimensionnement, fade, crop... Utilisation du Flex pour le timestretch/warp Quantification audio et gestion des transitoires Flex Pitch : Correction de justesse et création d'harmonies Insérer des silences CONFIGURATION DES PISTES GLOBALES DANS LOGIC PRO Disposition : Structure de l'arrangement Marqueurs : Repères et navigation Altération : Tonalité générale et chiffrage des mesures Tempo : Changements de tempo dans les pistes globales ou l'éditeur de liste Pistes d’accords associées aux session Player Bass et Piano LA TABLE DE MIXAGE DE LOGIC PRO Les différentes tranches de console Les composants d'en-tête de pistes, mute, les écoutes solo (pistes/région) Gestion des panoramiques Organiser les Track Stack, les groupes, les VCA Gestion des bus et auxiliaires pour le routing Traitements et effets en insert et/ou en auxiliaire L'AUTOMATION Les techniques générales pour donner de la dynamique à vos mixages Enregistrement d'automations : Read, touch, latch et write Automation de piste/région et édition des automations Assignation de contrôleurs à des paramètres d'automation PARTAGE ET EXPORT D'UN PROJET Sauvegarde : dossier ou paquet, archivage, back up, Time Machine Normalisation et pré-mastering Export au bon format en fonction du support final
Music composition · Percussion · Voice (music)
(1 review)
Jolien - Tienen, Belgium£42
£42Singing lessons for beginner, intermediate and advanced level
Trusted teacher: You have a unique instrument inside the body, your own voice! With my guidance, you learn how to develop and explore this instrument in a healthy and fun way in a safe laboratory, with the repertoire of your choice (classical or the lighter genre). These lessons are for every level and age! About me: The Belgian soprano Jolien (°1992) started her studies in Music Education and obtained her master’s degree in June 2015. In June 2021 Jolien graduated from Luca School of Arts Leuven with a master’s degree for Classical Voice, with her teacher Catherine. Jolien had numerous masterclasses in LUCA School of Arts where has worked with some prominent artists such as Thomas Blondelle, Ilse Eerens, Daniela Musca, Rosemary Joshua, Audrey Hyland, Mariette Witteveen en Clemens Morgenthaler. As a participant at the masterclasses organized by Triomphe de l’Art, Jolien worked with Nino Machaidze, Angélique Noldus and Anna Samuil. During her education as a classical singer, Jolien worked in operaprojects led by Michel Tilkin: Mrs. Gobineau (The Medium, G.C. Menotti), Second Woman (Dido and Aeneas, H. Purcell), King Harald’s Saga voor solo soprano (Judith Weir) and Fiordiligi (Così fan tutte, Mozart). In November 2021 she sang the role of Vitellia (Clemenza di Tito) directed by J. Verlinden and M. Hasepeslagh. This December she will perform the banker’s wife Liliane in Le Chat, a micro- opera of Damien Parmentier, directed by Daniel Donies. She teaches in Academie Regio Tienen and Academie Tessenderlo.
Singing · Voice (music) · Children's music
(30 reviews)
Danny - Antwerp, Belgium£30
£30Songwriting course with intensive and result-oriented methods
Trusted teacher: SONGS generally consist of chord and text lines. But where does that information come from and how do you make something out of nothing? How do you make that one great hIT or how strongly does your new song affect your love? Well, that's called "inspiration processing" and how does that work? Well, I'll tell you that in my course. If you already play the guitar or piano, you are one step ahead. Your instrument is like a trampoline that offers you more options to go further and higher. Most 'songs' are born at the craziest moments. A good songwriter his / her antennas are always open :-) and for some it is a continuous activity. During my course I teach you through all sorts of tips and tricks (including: Travel Chord Duo Method - One Four Five and minor input - Key Word Designation and Relative Chord Progressions etc.) how you can achieve strong songs. For me it is a daily activity and I have been writing all my life for others and sometimes for myself. All in all I have sold more than a million copies worldwide as an author / composer / performer. Is that little or is that a lot? I do not know. It doesn't interest me that much anymore. I want to share my knowledge about how to write a song with motivated people who want to go further than just replaying others' songs. Whether they get stuck somewhere during composing and who are not afraid to seek advice. Music is a life flirt. There are only two types of music: good and bad ... Do you have a foundation of chords, do you want to know how to make a good song .....? Just book an hour to get started. That is the scan hour. Are we lying together and is there a click? If you book and I confirm, then you also know who I am and where I hide :-) Not satisfied after the first 'lesson'? Money Back. Danny
Music composition · Voice (music)
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Our students from Harringay evaluate their Voice (Music) teacher.

To ensure the quality of our Voice (Music) teachers, we ask our students from Harringay to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 67 reviews.

Songwriting lessons with vocal and songwriting coach (Ghent)
Erika
Amazing! I had a great time getting songwriting coaching from Erika. So positive! To the point! Lots of tips and tricks for your songwriting. I had a hard time finishing my songs before. I finished off 8 songs in a few weeks. I highly recommend her. Thank you so much Erika.
Review by PIETER
Singing Lessons for Jazz and Popular Music (All Levels) (Jette)
Laura
Wonderful teacher and person, really listens to what you want to accomplish and bases the lesson around that in a really warm but professional way. Felt very at ease and motivated, can´t wait to continue my lessons!
Review by LIMA
Guitar and singing lessons - Antwerp and surroundings - private (Antwerp)
Danny
My first lesson was really good learnt a lot and felt comfortable in his presence. He knows how to teach..and at ease. Looking forward for my next lesson.
Review by MARIO

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Voice (Music) in Harringay