

from44.81GBP/ h
Cours de MAO et de composition sur LogicPro 10 & 11
CONFIGURATIONS LOGICIEL ET MATÉRIEL
Logic Pro 10 ou 11 : Présentation, points forts, innovations et idées reçues
Branchement et configuration de vos périphériques
Choix du matériel en fonction de votre budget et de vos besoins
Configuration et optimisation de votre Home Studio
Préférences et réglages du logiciel
Téléchargement et gestion des bibliothèques de sons
GESTION DE PROJETS DANS LOGIC PRO
Création et configuration d'un nouveau projet
Gestion des modes de Logic Pro (simplifié ou expert)
Préférences et réglages du logiciel et de vos projets
Configuration tempo, métronome, décompte, chiffrage de mesure et tonalité
Sauvegarde immédiate, dossier, paquet
L'INTERFACE DE LOGIC PRO
Les différentes fenêtres
Les outils principaux et secondaires, les Zooms, les raccourcis claviers
Les inspecteurs de tranche de console, de piste, de région, utilisation de l’aide
La bibliothèque, les patchs, les modules (plug-ins), les sons
Les navigateurs de Logic Pro (Apple loops, listes...)
Les éditeurs MIDI, audio et Session Player
La table de mixage
Barre de commande et d’affichage, la barre d’outils
LE MIDI DANS LOGIC PRO
Piste d'instrument : Création, personnalisation de la piste
Enregistrement MIDI
Réglage du métronome, du décompte et de la latence
Choisir un instrument, un son, un patch
Les modes d'enregistrement : Live, pas à pas, en dossiers, autopunch
Édition : Outils, Piano Roll, éditeur de partitions et éditeur pas à pas
Quantification, redimensionnement, vélocité, légato, expression, modulation
L’automation MIDI
LE SESSION PLAYER DE LOGIC PRO
Le Session Player; les instrumentistes virtuels de Logic Pro
Drummer acoustique : Choix du batteur, modification des éléments, édition du jeu, swing et humanisation
Bass et Keyboard Player : Choisir un son, articulations, mode de jeu et variations
Structure
ULTRABEAT
Interface de l’Ultrabeat, sons et styles des 100 drum kits
Beat-Making : Sequencer interne, mode full view et pattern mode
Les paramètres Accent, vélocité, gate et swing
Introduction au Step Sequencer associé à Ultrabeat, les régions de motifs
LES APPLE LOOPS
les Types de boucles : Audio, MIDI, Motifs et Session Player
Organisation, filtres et recherche par instrument, styles et sonorité
Navigateur, tempo, longueur, tonalités, modifications
Création, sauvegarde et archivage des Apple Loops personnelles
Construire un arrangement avec les Apple Loops
L’ENREGISTREMENT AUDIONUMÉRIQUE
Enregistrement : pré-amp, conversion AD/DA, latence, buffer et monitoring
Réglages de projet : fréquence d’échantillonnage et résolution
Enregistrement piste par piste et enregistrement multi-pistes
La gestion des modes Autopunch et Replace
Les dossiers de prises et les pistes alternatives
Mode Cycle
EXPLORATION DE KONTAKT
Kontakt est votre passerelle vers un trésor inégalé d'instruments virtuels. Plus qu'un échantillonneur, Kontakt a alimenté deux décennies de musiques de films à succès et de succès en tête des charts, ainsi que des milliers d'instruments incroyables.
L'ÉDITION AUDIO DANS LOGIC PRO
Comping de prises : montage audio et export
Les outils d’édition : Selecteur, redimensionnement, fade, crop...
Utilisation du Flex pour le timestretch/warp
Quantification audio et gestion des transitoires
Flex Pitch : Correction de justesse et création d'harmonies
Insérer des silences
CONFIGURATION DES PISTES GLOBALES DANS LOGIC PRO
Disposition : Structure de l'arrangement
Marqueurs : Repères et navigation
Altération : Tonalité générale et chiffrage des mesures
Tempo : Changements de tempo dans les pistes globales ou l'éditeur de liste
Pistes d’accords associées aux session Player Bass et Piano
LA TABLE DE MIXAGE DE LOGIC PRO
Les différentes tranches de console
Les composants d'en-tête de pistes, mute, les écoutes solo (pistes/région)
Gestion des panoramiques
Organiser les Track Stack, les groupes, les VCA
Gestion des bus et auxiliaires pour le routing
Traitements et effets en insert et/ou en auxiliaire
L'AUTOMATION
Les techniques générales pour donner de la dynamique à vos mixages
Enregistrement d'automations : Read, touch, latch et write
Automation de piste/région et édition des automations
Assignation de contrôleurs à des paramètres d'automation
PARTAGE ET EXPORT D'UN PROJET
Sauvegarde : dossier ou paquet, archivage, back up, Time Machine
Normalisation et pré-mastering
Export au bon format en fonction du support final
Logic Pro 10 ou 11 : Présentation, points forts, innovations et idées reçues
Branchement et configuration de vos périphériques
Choix du matériel en fonction de votre budget et de vos besoins
Configuration et optimisation de votre Home Studio
Préférences et réglages du logiciel
Téléchargement et gestion des bibliothèques de sons
GESTION DE PROJETS DANS LOGIC PRO
Création et configuration d'un nouveau projet
Gestion des modes de Logic Pro (simplifié ou expert)
Préférences et réglages du logiciel et de vos projets
Configuration tempo, métronome, décompte, chiffrage de mesure et tonalité
Sauvegarde immédiate, dossier, paquet
L'INTERFACE DE LOGIC PRO
Les différentes fenêtres
Les outils principaux et secondaires, les Zooms, les raccourcis claviers
Les inspecteurs de tranche de console, de piste, de région, utilisation de l’aide
La bibliothèque, les patchs, les modules (plug-ins), les sons
Les navigateurs de Logic Pro (Apple loops, listes...)
Les éditeurs MIDI, audio et Session Player
La table de mixage
Barre de commande et d’affichage, la barre d’outils
LE MIDI DANS LOGIC PRO
Piste d'instrument : Création, personnalisation de la piste
Enregistrement MIDI
Réglage du métronome, du décompte et de la latence
Choisir un instrument, un son, un patch
Les modes d'enregistrement : Live, pas à pas, en dossiers, autopunch
Édition : Outils, Piano Roll, éditeur de partitions et éditeur pas à pas
Quantification, redimensionnement, vélocité, légato, expression, modulation
L’automation MIDI
LE SESSION PLAYER DE LOGIC PRO
Le Session Player; les instrumentistes virtuels de Logic Pro
Drummer acoustique : Choix du batteur, modification des éléments, édition du jeu, swing et humanisation
Bass et Keyboard Player : Choisir un son, articulations, mode de jeu et variations
Structure
ULTRABEAT
Interface de l’Ultrabeat, sons et styles des 100 drum kits
Beat-Making : Sequencer interne, mode full view et pattern mode
Les paramètres Accent, vélocité, gate et swing
Introduction au Step Sequencer associé à Ultrabeat, les régions de motifs
LES APPLE LOOPS
les Types de boucles : Audio, MIDI, Motifs et Session Player
Organisation, filtres et recherche par instrument, styles et sonorité
Navigateur, tempo, longueur, tonalités, modifications
Création, sauvegarde et archivage des Apple Loops personnelles
Construire un arrangement avec les Apple Loops
L’ENREGISTREMENT AUDIONUMÉRIQUE
Enregistrement : pré-amp, conversion AD/DA, latence, buffer et monitoring
Réglages de projet : fréquence d’échantillonnage et résolution
Enregistrement piste par piste et enregistrement multi-pistes
La gestion des modes Autopunch et Replace
Les dossiers de prises et les pistes alternatives
Mode Cycle
EXPLORATION DE KONTAKT
Kontakt est votre passerelle vers un trésor inégalé d'instruments virtuels. Plus qu'un échantillonneur, Kontakt a alimenté deux décennies de musiques de films à succès et de succès en tête des charts, ainsi que des milliers d'instruments incroyables.
L'ÉDITION AUDIO DANS LOGIC PRO
Comping de prises : montage audio et export
Les outils d’édition : Selecteur, redimensionnement, fade, crop...
Utilisation du Flex pour le timestretch/warp
Quantification audio et gestion des transitoires
Flex Pitch : Correction de justesse et création d'harmonies
Insérer des silences
CONFIGURATION DES PISTES GLOBALES DANS LOGIC PRO
Disposition : Structure de l'arrangement
Marqueurs : Repères et navigation
Altération : Tonalité générale et chiffrage des mesures
Tempo : Changements de tempo dans les pistes globales ou l'éditeur de liste
Pistes d’accords associées aux session Player Bass et Piano
LA TABLE DE MIXAGE DE LOGIC PRO
Les différentes tranches de console
Les composants d'en-tête de pistes, mute, les écoutes solo (pistes/région)
Gestion des panoramiques
Organiser les Track Stack, les groupes, les VCA
Gestion des bus et auxiliaires pour le routing
Traitements et effets en insert et/ou en auxiliaire
L'AUTOMATION
Les techniques générales pour donner de la dynamique à vos mixages
Enregistrement d'automations : Read, touch, latch et write
Automation de piste/région et édition des automations
Assignation de contrôleurs à des paramètres d'automation
PARTAGE ET EXPORT D'UN PROJET
Sauvegarde : dossier ou paquet, archivage, back up, Time Machine
Normalisation et pré-mastering
Export au bon format en fonction du support final
Location
Online via webcam
At teacher's location: Le Coulet, Saint-Maurice-Navacelles, France
At student's location: Around Montpellier, France
At student's location: Around Ganges, France
At student's location: Around Montagnac, France
At student's location: Around Saint-Jean-de-Fos, France






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General info
Age: | Children (7-12 years old) Teenagers (13-17 years old) Adults (18-64 years old) Seniors (65+ years old) |
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Student level: | Beginner Intermediate |
Duration: | 60 minutes |
The class is taught in: | French, English, Spanish |
About Me
Translated by Google. Click to view original.
The sound material is wonderfully alive, sacred and in perpetual motion.Discovering the piano and comedy from the age of 5,
I am passionate about percussion of the world, from 13 years old, in contact with the Senegalese sabar and the derbouka.
At the crossroads of music from India and the Middle East
African drums (under the luminous glasses of Antoine Ore Lago, soloist of the National Ballet of Abidjan, Pierre Marcault, Modou Gaye and Soundioulou Sissoko), Cubans and Afro-Caribbean (with Miguel Anga Diaz, Orlando Poleo and Miguel Gomez )
from the trance of Gnawa to current music,
I give full space to a colorful and intuitive creativity.
At 20, I completed my training in Afro-Cuban percussion.
I develop the uniqueness of a game fed by multiple stylistic influences, through a wide range of artistic collaborations
and co-creative meetings ...
Several instruments inspire my exploration of melody and rhythm:
Congas, Bongos, Cajon, Batas Drums
Djembe, Dunduns
Indian tablas, Tär, Bendir
Claves, Shakers, Logdrum, Gongs ... minor percussions.
Drums
Clarinet
Voice
It is always in the continuity of a passionate self-taught trip, that I devote myself to dramatic expression,
mime, storytelling, staging and, since 2003, care and art therapy, through bioenergetics, the symbolism of archetypes and music therapy.
... composer, singer, choir director,
actor, professor of theater and body language,
Teaching in ethnic percussion and intervening in music therapy and musical awakening, I like to transmit my ever growing desire for free expression and meeting.
Education
Translated by Google. Click to view original.
ISAAC School of Paris (School of Latin Music) - currently TematicaConservatory of Chelles (92) in Ethnic Percussions, with Pierre Marcault
Trained in Cuban percussion with Miguel Anga Diaz and Miguel Gomez.
Music Conservatory of the 19th arr. de Paris (piano section)
Experience / Qualifications
Translated by Google. Click to view original.
Composition, Beat making & Sound Design in MAO(film music, soundtracks, illustrations and soundscapes)
Studio recording, mixing, arrangement
Scenes and tours
Artistic direction
Teacher training
Team Building
Sound therapy and voice
Actor, direction and direction of actor
Reviews (1)
First interesting lesson with a real passionate musician.
Translated by Google. Click to view original.
The world of rhythm and drums from around the world attracts you... you are a novice or want to improve your skills, you are looking for workshops in private lessons or in groups,...
Welcome!
Multi-percussionist on stage and in the studio, experienced teacher and performing artist for over 25 years, I offer introductory, development and advanced modules in world percussion, for all audiences.
(individual, group and internship courses)
The educational objective is based initially on the acquisition of general notions in rhythmic solfege, various instrumental techniques and a repertoire of rhythmic-melodic vocabulary, subsequently supplemented by the exploration of polyrhythm and improvisation.
By listening to and reproducing more or less long and complex rhythmic patterns and cells, it will be a question of acquiring all-terrain bases, of recognizing and refining one's own playing dynamics, of understanding the principle of orchestration and of opening oneself to the incredible experience of trance.
Percussion lessons always involve several instruments and levels:
For all levels:
congas, bongos, bata drums, cajon, bendir and tär (frame drums), djembe, dundun,
drums
and minor percussion (accessories: shaker, triangle, karkabou...
And also for novices & intermediates:
Indian tablas
Point essentially addressed for a musical and psycho-sensory immersion work:
the roles of rhythmic instruments in contemporary, ethnic and scholarly music, and the metrics of each musical current.
the strokes specific to each instrument and a playful rhythmic solfeggio (visualization, learning and interpretation of rhythmic sequences by writing and / or voicing)
the poly-rythmie around current musics and world music (African, Caribbean, Indian and oriental traditions): simultaneous combination of rhythmic cells, sometimes of different size, to form a rich, well-rounded and harmonious phrase.
groove and inner pulsation (or inner partition)
guided improvisation and discovery of one's own interpretive fiber.
orchestration or arrangement of instrument families in an orchestra.
the song and the breath, the setting in voice and in space of the rhythm, to refine the sensory language of an adequate dynamic gesture.
I provide on request personal work media (CDs, scores, videos).
Apart from stage music, I also work for live shows (storytelling, theater, circus, pantomime, contemporary dance ...), documentary film and audio-visual.
I frequently intervene in musical awakening for early and middle childhood (maternity hospitals, schools, leisure centers) and also in specialized settings (day hospitals, IME) and at home, as part of mediation actions in art. therapy.
Hoping to share with you my passion for teaching and the melody of rhythm.
Stéphane
Musically !
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Send a message explaining your needs and Stéphane-Miguel will reply soon:
The more detail, the better.
Ex. "Hi, when are you available to meet for a lesson?"
Ex. "Hi, when are you available to meet for a lesson?"
Availability of a typical week
(GMT -04:00) New York
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from £44.81At teacher's location
from £44.81Online via webcam
from £49.98At student's home
100% Satisfaction Guarantee
Good-fit Instructor Guarantee
If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.
Online reputation
- Instructor since February 2014
- Phone number verified
- Google connected
Availability of a typical week
(GMT -04:00) New York
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6 | Monday at 6:00 | Tuesday at 6:00 | Wednesday at 6:00 | Thursday at 6:00 | Friday at 6:00 | Saturday at 6:00 | |
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from £44.81At teacher's location
from £44.81Online via webcam
from £49.98At student's home
Good-fit Instructor Guarantee
If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.
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I truly believe that everyone has the potential to discover their distinct sound if they are willing to put in the work. Whether you are just starting your musical journey or looking to dive deeper into the creative process, I invite you to book a lesson with me. Together, we can explore where you currently stand and how I can help you take your music to the next level.
I can show you how to work with analog gear, as I have a collection of synthesizers, including the Prophet 6, Moog DFAM, Minitaur, and Ableton Push 3. If you're interested in performing live, we can even translate your music into a live set using Ableton Live and work with Resolume to bring your sound to life visually, creating an engaging experience for your audience.
My music often incorporates samples I record from my travels around the world which I manipulate and blend with synthesizers and my voice. I found my sound this way, and I want to guide you on your journey to discovering yours. Don’t worry; we won’t have to go to the ends of the earth to find it. I’ll show you the tools to recreate or transform any sounds you already have, helping your productions stand out. Of course, we can also simply talk about your music or receive feedback, whatever you feel is best for you.
My expertise includes, but is not limited to, Ableton Live, mixing, mastering, composition, sound design, industry insights, live performance, synthesis, music theory, and audio engineering. While I primarily work in Ableton Live, my knowledge is applicable to any program you use.
Lessons will be tailored to your individual needs, and I offer sessions both online and in-person at my studio. I believe in providing a consistent and supportive experience, no matter the format. For online lessons, I use a program that allows me to listen to your music or projects in HD quality through a plugin you load onto your master channel, ensuring we can collaborate effectively in real time.
I look forward to the opportunity to work with you and help you grow as an artist!
Denise
Singing classes in Vienna for all age students and musical genres (Online/Offline)Dear students:
My name is Denise and I'm a professional singer with a singing master's degree from Catalonia's Music College (ESMUC) specialized in Historical Singing, Musicology and Music Education.
My experience runs mostly in early and classical music with an active performing life, nevertheless I also have the experience and knowledge of popular musical styles such as Latin-American folk, jazz and musicals.
As a docent or vocal coach I've collaborate with different academic institutions and private artistic projects, focusing mostly on international students or social integration programs.
I have years of experience teaching children, teenagers and adults in both Latin-America and Europe, therefore understanding different appreciation levels and needs.
My main goal is to help the student discover her or his voice while enjoying making music.
**Class suggestions and indications**
No experience is needed just bring your enthusiasm and favorite music.
Classes can be given either in English, Spanish, French or Deutsch.
There are no limit for styles, bring your favorite music and I will provide a safe environment for your personal and musical growth.
For Children I strongly recommend the 45 min class since their attention span and body development is different from an adult.
Feel free to contact me in case of further questions. I would love to work together to achieve your musical goals.
All my best,
Denise
Slava
Music production (ableton), music composition, mixing and masteringIn this class I can teach you
Music theory (harmony, melody, rhythms structure, analysis)
Work with Ableton Live
Mixing and mastering your tracks
Composition in different styles
Creating electronic dance music in different styles (techno, deep house, trance, psytrance etc)
I have released my music at labels such as:
Alien Records
Brutish Heavy Music
Ibogatech
Madabeats Records
Nova Collective
Opus2Records
Psyfeature
SolarTech Records
Synk87
X7M Blaze
Eladio
Music theory lessons from young to adult people, by a composition academy studentI am a Spanish composer studying at Estonian Academy of music and theater. I have a very deep background in teaching music in a private lessons. All my students in Spain could get a place at the conservatories or got the enough music skills for their goals.
Learn how to write and compose music, how to read music, how to hear music... Learn all you need about music with a complete and dinamic method.
If you have any questions, don ́t hesitate to contact me. I am very flexible and I can adapt to my students. We will talk together in what you need to improve and make a plan together to do it.
Camille
Singing / Voice coaching: private training & personalized workshopOur teacher using, if necessary, an electro-acoustic guitar to better accompany your voice and guide some of its subtleties, the teaching philosophy is adapted to each level, according to the pace of work and motivation.
Program :
- musical techniques: theory (examples: support, modes, colors, effects such as vibrato, etc.) automatically followed, for each of the exercises, by practice (examples: exercises focusing on accuracy, sound production, "mountains Russian ", time, note hold, diction, vowels etc.)
- work on breathing and breathing management
- body awareness
- stability
- resonance
- improvisation / free expression
- improved vocal comfort
- varied repertoire (adapting to your preference)
- well-being by the vibration of the voice
- personal or artistic development - accuracy, note keeping and precision - vocal modes including timbre
- volumes: softness and power - sound colors: from dark to light - vocal effects, range requirements - nuances: volumes, mimics, attitudes, sound quality - exploration of musical styles (folk, pop, classical, blues, rock, song, World music ...)
- improvisation, effects and vocal games, harmonies
-interpretation: work on emotions, body language, stage presence.
Objective: acquire a solid vocal technique allowing you to sing with accuracy, ease and expressiveness.
Musical learning meanwhile, will develop your ability to listen and reproduce music, your sense of rhythm, your expressiveness, your creativity and musicality as well as reading sheet music.
The work is focused on multidisciplinarity: voice, vocal health, music and bodily expressiveness, with an emphasis on the acquisition of an optimal vocal placement, on stress management in public and on interpretation.
This progressive and tailor-made method aims to develop your voice:
-Breathing techniques
-Vocalises and technical exercises adapted to needs;
- Repertoire work
- Accompaniment for studio recording and scenic performance
-dynamic exploration, diversification and release of one's voice while having fun and going beyond one's limits.
As other people do regularly, you can also please your loved ones by offering gift vouchers, available all year round.
TEACHER / TRAINER
Trained in Grandes Ecoles in France and the United States (Ivy League University), our teacher has specialized and has been working for more than 15 years, in North America and Europe, in the field, in international establishments renowned, and oriented on one axis: effective training with pedagogy and meticulous methodology as the watchwords.
PLACES, FEES
- Locations: Geneva-Lausanne-Friborg-Neuchâtel-Montreux-Bâle-Sion-Sierre-Morges-Bienne. But currently, only by videoconference in accordance with national recommendations on Covid. These sessions also seem to be perfectly unanimous since they have the advantages of direct (example: quality of the interaction), without its disadvantages (ex: loss of travel time), with additional advantages (ex: of notes on the chat, which can be reread afterwards). In this context, these videoconference sessions for which you have requested me, seem to arouse a certain enthusiasm (and a certain enthusiasm). At your request, I therefore continue to offer them.
Eustace
Singing Lessons for all ages with Basic Music TheoryUnlock Your Vocal Potential
Join our singing course and start an exciting musical journey! Whether you're just starting out or want to take your singing to the next level, our expert coach is here to help you every step of the way.
What You'll Learn: You’ll discover the joy of singing through:
- Warm-ups and Breathing Exercises: Simple exercises to wake up your voice and learn how to breathe for singing.
- Hitting the Right Notes: Improve your pitch and train your ears to hear different sounds.
- Clear Pronunciation: Learn to sing clearly so every word shines.
- Music Basics: Understand simple music ideas like notes, scales, and keys.
- Confident Performances: Bring songs to life with emotion and feel great on stage.
Come and join us to unlock the power of your voice and bring your musical dreams to life!
Ziad
Oriental Arabic Oud and Singing Teacher in GermanyIn our Oud class, I will guide you through everything from basic to advanced techniques. We will cover playing for all levels, correct left-hand use, synchronizing with the right hand, handling the pick, tuning the Oud, and effectively using a tuner and metronome. In the remaining time, we will dive into reading musical notes, starting with basic Solfege and progressing to advanced and oriental Solfege, including dictation exercises. This comprehensive approach ensures a well-rounded musical journey
My recommendation for learning the Oud is to begin by studying musical notes and notation before delving into songs. While some students prefer to jump straight into playing songs, understanding the fundamentals of music notation accelerates progress in the long run. Dedication and hard work can yield significant progress within a year, enabling you to play simple tunes.
Feel free to leave me a message, and I will get back to you as soon as possible.