Young Consultant gives private lessons of Solfège

In this violin course you will learn a foundation in learning one of the most rewarding instruments in a fun and relaxed atmosphere. Grip the bow, hold the violin, have the perfect hand position and enjoy playing the strings while learning how to read the notes, the violin rhythm and technique. Students will generally learn better if they feel a connection developing with their teacher, whether that’s through humour, showing care about their development, or making sure teacher devote time equally to all students when in a group. You will not regret. 😊

Private piano lessons and music theory for all levels. Open for children and adults. If you love classical music, you want to take the regular course, don't hesitate to connect me! All levels of students are welcome.

Vous souhaitez plonger dans le riche univers de la musique arabe ? Je propose des cours personnalisés de théorie de la musique arabe, d’apprentissage des maqams (modes musicaux) et de techniques spécifiques au violon et clavier. Grâce à une méthode adaptée à votre niveau, je vous accompagnerai dans la découverte des subtilités de cette musique fascinante. Que vous soyez débutant ou musicien confirmé, vous apprendrez à : - Comprendre et maîtriser les maqams arabes, leurs particularités et leurs nuances. - Développer des techniques de jeu spécifiques au violon dans la tradition musicale arabe. - Lire et interpréter des partitions de musique arabe en utilisant le solfège arabe et la dictée musicale. - Enrichir votre répertoire avec des œuvres emblématiques de la musique arabe traditionnelle.

Hello, I like to transmit and exchange with my students. Seeing them understand and progressing is essential and very rewarding for me. My lessons are based on an academic method focused on learning music theory and instrumental practice. I bring a specific method adapted to the profiles of my students (age, availability, tastes, motivation, "anti-music theory"). I try to make my students independent, help them develop their listening skills, their sense of rhythm and transmit to them an efficient working method. All styles, all levels: pop, rock, funk, jazz, blues, soul, reggae, latin

I am a professional lyric soprano graduated from the CNSM of Lyon. I participate in productions with the Concert d'Astrée, the Choir of Namur, Accentus, the Opéra National de Lorraine, Choir de la Chapelle Harmonique. I am also on the lists of the Montpellier Opera, Concert Spirituel, Ensemble Correspondances and Radio France choir. I have just finished a production of Haydn's Die Schöpfung at the Opéra National de Lorraine last January-February, conducted by Marta Gardolinska (Guillaume Fauchère choir director), directed by Kevin Barz. I sang solo and in chorus the role of the Trojan woman in Campra's Idomenée in 2021 at the Lille Opera and the Berlin Staatsoper, staging of the fura dels baus, I also sang the solo of Campra's Requiem at the philharmonies of Luxembourg, Lille, Essen Cologne and Berlin with the Concert d'Astrée in 2019 directed by Emmanuelle Haïm. In 2019, I participated in the production of Les Indes Galantes by Rameau with the Namur Choir at the Opera Bastille, directed by Leonardo Garcia Alarcon and directed by Clement Cogitore. In 2022, I participated in numerous productions, notably with the Accentus choir in Beethoven's 9th symphony, the missa solemnis or even a polyphonic baroque project. In 2022 I participated in the production of Hulda by Cesar Franck with the Namur Choir at the Grand Manège de Namur, the Liège Philharmonic and the Théatre des Champs Elysées. My background as well as my skills in lyrical singing allow me to master my instrument well. I am a very curious and very patient person, and I like to find solutions to problems. Transmitting my passion to students wishing to discover or develop their voices, discover their artistic personality would be a great pleasure for me. If I can transmit this joy that I have from singing as well as my acquired knowledge, it would be a great exploration for them as for me.

Graduated with a master's degree from the Milan Conservatory, an artist certificate from the Royal Conservatory of The Hague and winner of international competitions, I teach harpsichord, piano and music theory in Paris. I accompany beginners or experts to build a solid foundation or deepen their technique, expression and musical culture. I believe that teaching music theory should never be detached from the music played, and I pursue a teaching method linking the two.

Former student of the Conservatoire National Supérieur de Musique et de Danse de Paris, editor-in-chief of the magazine Avant-Scène Opéra, editor for the Philharmonie du Luxembourg, I offer you the following lessons. Music theory and musical culture are essential tools for understanding and making music. Music theory, because it allows you to master the technical tools that allow you to make music, is fundamental for anyone who wants to progress in their instrument. Musical culture makes it possible to understand what goes on in music beyond the technique. From this knowledge (established over a lot of listening) we can develop an interpretation and go beyond technical issues. For music theory lessons only, I constantly articulate the different musical parameters (rhythm, intonation, ear, etc.) and draw my training from the repertoire, which has the advantage of making music from the start. Small technical exercises also allow you to focus on one or the other parameter, but the perspective remains mainly that of a global approach placing the music at the center. As far as musical culture is concerned, I use each of my professional experiences (Musicologist, playwright and music critic) to transmit my knowledge to you. Thus we will approach the history of music through works (history of forms and languages), interpretation and places of music. It is mainly through the study of documents (texts of musical criticism, iconography, scores, musical instruments...) that transmission takes place. Knowledge completes and informs this documentary study. Finally the study of document and the erudition have only one goal: to enlighten the listening of the works which I place at the heart of my teaching.

Experienced teacher and pianist of 37 years, gives piano lessons (all styles) for all ages (Initiation, beginner, intermediate, refresher) from junior to senior. I studied piano and music theory at the conservatory for many years, have been teaching for almost ten years, and have extensive recording studio experience. Passionate, I am currently working on the recording of a third EP album. My pedagogical approach is adaptive and takes into account your desires. Ultimately, I guarantee significant progress and provide you with real room for improvement, my goal being that you enjoy playing for yourself or for your loved ones. During our first lesson, I offer you a skills assessment: I analyze your level, your playing, posture, fingering and wrist flexibility. I will then offer you a personalized educational program suited to your desires and your level. Finally, we agree on a time slot depending on your availability.

Student in violin at CRR Rueil-Malmaison, where I am in a specialized cycle, I give violin lessons to young students in 1st, 2nd and 3rd cycles of conservatories. I can also take students from music schools. My goal is to give these students the taste of the violin and allow them to blossom with their instrument. I wish that the pleasure of the music trumps the possible blockings related to the difficulty of the instrument. I always systematically listen to an excerpt from a work, when possible, at the beginning of the class, to extend the student's musical culture and give him the desire to discover many different musics by himself. I propose a teaching of 30 minutes in the 1st cycle, and between 45 minutes and 1 hour according to the profiles from the 2nd cycle. I can also give reinforcement classes in music theory. I am at the CRR in Paris in orchestration, analysis and writing music, I finished the solfege two years ago and I conduct conducting, so I have a solid musical background, which allows me to help students.

After dedicating 14 years to mastering the guitar, I've developed a comprehensive understanding of guitar playing, encompassing both foundational techniques and advanced music theory. In these lessons, I'll be sharing the wealth of knowledge I've accumulated over this extensive period of learning. I will be covering a broad range of guitar techniques, including fingerpicking, strumming techniques, major and minor chords, power chords, barre chords, riffs, scales, finger warm-ups, practising any song of your choice, string bending, pull-offs, hammer-ons, harmonics, strumming patterns, and slides. All are provided with diagrams etc. For music theory, I will begin by covering the fundamentals, including notes, strings, and the musical 12-note chromatic scale alphabet on the guitar. As students progress, we will delve into more advanced topics such as tones, semitones, chord progressions, circle of fifths, scale formulas and chord terminology. Additionally, we will explore concepts like consonance and dissonance and pitch practice to develop relative pitch. (You have to be born with perfect pitch but you can learn relative pitch with practise!) Then advancing to jazz theory, we'll explore; jazz scale formulas, jazz chord progressions, swing techniques, major and minor 7th chords, major and minor 9th chords, dominant, augmented, half-diminished, diminished, sus2 and sus4 chords. And then jazz scales and the art of re-harmonising a song (changing the chords to jazz chords). All music theory will be intertwined with guitar practice as both can't be done without the other! One observation I've made while learning guitar through lessons is that information is often doled out incrementally, making it feel like a breadcrumb trail. Guitar knowledge and skills seem to be closely guarded and usually gatekept unless actively sought out. I strongly believe that the extensive knowledge I've acquired over 14 years of playing should be fruitfully shared in a more comprehensive and accessible manner, of course while being tailored to the pace of the students. In essence, I'm convinced that the depth of my understanding I've gained could be effectively conveyed and learnt within a two-year timeframe without including the time it takes to master the skill with practice, of course, I'd like to make it easier for people to learn the guitar and the theory behind it. I have also graduated with a distinction for my Music Performance and Production UAL Level 3 Course and a distinction in Fashion Communication which included my music playing at Central Saint Martins. I also have experience teaching guitar in London and Bristol before. The lessons will be taught in English so practising your English with me is also a plus, a foundational knowledge of English is required to take the lessons.

I give piano and music theory lessons with my own method. The music theory part is not purely theoretical but always mixed with practice. My method emphasizes the deciphering of scores, given that the objective is to allow the student to be as independent as possible thereafter. It will also have a technical aspect, but I prefer to have her work directly with pieces rather than dry exercises. I also give lessons in harmony, counterpoint and composition for those who would like to go further.

A graduate of the CRR de Paris in lyrical singing, holder of a degree in music and musicology from the University of Paris-Sorbonne, a Master's degree in Performance with distinction from the Guildhall School of Music and Drama in London, and a diploma professional studies from the Mannes School of Music in New York, I offer opera singing lessons as well as piano and music theory lessons suitable for all levels. Sensitive to sharing and individual aspirations, I design personalized courses that combine technique and pleasure. I also offer support classes for conservatory students. Thirty-minute lessons are available for young children.

COURSE DESCRIPTION: The courses will be based on the student's requirements. The method that I propose is aimed at acquiring an understanding of each musical aspect so that the student can achieve complete autonomy from the point of view of interpretation. Starting with technical aspects of the instrument (position, flexibility, relaxation) we will address all aspects of interpretation, in particular the fundamental notions of improvisation. TRAINING: License in harpsichord at the Schola Cantorum Basiliensis with Prof. Francesco Corti and Master in harpsichord and basso continuo at the CNSMDP with professors Olivier Baumont and Blandine Rannou. In the same establishment I also attended teaching courses. I am a winner of several international competitions. Looking forward to meeting you to share all my experience of musical and educational training and to spend moments of happiness in music!

Hello, I’m a franco-Peruvian singer, living between my hometown of Paris and Cologne where I recently finished my studies. I teach singing for all ages and levels in the Paris suburbs in my studio or in the city Center of Cologne. I can also come to yours if you’re residing in one of these cities. I’'m also offering Skype/Zoom lessons, with which I’ve had incredible success. I can teach in my maternal languages french, spanish and english as well as german of course. I have a long experience as a choir conductor for primary school children as well as private teacher for young adults and people wanting to discover their voices and get a healthy, solid technique. I have also specialised in people who had issues singing in tune, and have had great success with solving those issues in just a few lessons. I would be delighted to hear from you!

Opera student at the Conservatoire National Supérieur de Paris and former student of the Manhattan School of Music in New York, I offer singing lessons and music theory for all levels and all ages. The work will focus on breathing learning, musical phrasing, reading notes, diction, accuracy and ease on stage. Do not hesitate to contact me