Clarinet, piano, block flute or music for everyone

This course is above all there to make you want to play the guitar, let it be a pleasure! It will be based on the practice of the instrument, on the understanding and role of the guitar. The theory will be based on the progress of the practice. Step by step, practice and theory will thus be complementary, and will necessarily be useful! Have you always dreamed of being able to play the guitar? it's time to get started! Let the magic of music take hold of you and become the accomplished guitarist you always wanted to be! Possibility of offering this course to one of your loved ones, a very appreciated gift for people who would like to embark on a musical adventure!

Our teacher using, if necessary, an electro-acoustic guitar to better accompany your voice and guide some of its subtleties, the teaching philosophy is adapted to each level, according to the pace of work and motivation. Program : - musical techniques: theory (examples: support, modes, colors, effects such as vibrato, etc.) automatically followed, for each of the exercises, by practice (examples: exercises focusing on accuracy, sound production, "mountains Russian ", time, note hold, diction, vowels etc.) - work on breathing and breathing management - body awareness - stability - resonance - improvisation / free expression - improved vocal comfort - varied repertoire (adapting to your preference) - well-being by the vibration of the voice - personal or artistic development - accuracy, note keeping and precision - vocal modes including timbre - volumes: softness and power - sound colors: from dark to light - vocal effects, range requirements - nuances: volumes, mimics, attitudes, sound quality - exploration of musical styles (folk, pop, classical, blues, rock, song, World music ...) - improvisation, effects and vocal games, harmonies -interpretation: work on emotions, body language, stage presence. Objective: acquire a solid vocal technique allowing you to sing with accuracy, ease and expressiveness. Musical learning meanwhile, will develop your ability to listen and reproduce music, your sense of rhythm, your expressiveness, your creativity and musicality as well as reading sheet music. The work is focused on multidisciplinarity: voice, vocal health, music and bodily expressiveness, with an emphasis on the acquisition of an optimal vocal placement, on stress management in public and on interpretation. This progressive and tailor-made method aims to develop your voice: -Breathing techniques -Vocalises and technical exercises adapted to needs; - Repertoire work - Accompaniment for studio recording and scenic performance -dynamic exploration, diversification and release of one's voice while having fun and going beyond one's limits. As other people do regularly, you can also please your loved ones by offering gift vouchers, available all year round. TEACHER / TRAINER Trained in Grandes Ecoles in France and the United States (Ivy League University), our teacher has specialized and has been working for more than 15 years, in North America and Europe, in the field, in international establishments renowned, and oriented on one axis: effective training with pedagogy and meticulous methodology as the watchwords. PLACES, FEES - Locations: Geneva-Lausanne-Friborg-Neuchâtel-Montreux-Bâle-Sion-Sierre-Morges-Bienne. But currently, only by videoconference in accordance with national recommendations on Covid. These sessions also seem to be perfectly unanimous since they have the advantages of direct (example: quality of the interaction), without its disadvantages (ex: loss of travel time), with additional advantages (ex: of notes on the chat, which can be reread afterwards). In this context, these videoconference sessions for which you have requested me, seem to arouse a certain enthusiasm (and a certain enthusiasm). At your request, I therefore continue to offer them.

Geneva - Lausanne - Morges Courses in English, French, Italian (native languages) - German (European level B2) As a graduate of the Geneva Conservatory of Music, I offer with great enthusiasm, excellent methodology, and a strong desire to share my passion, piano and music theory lessons for all levels. Having completed 12 years of studies in Piano and Music Theory, as well as courses in Musical Training and Sight-Reading, I want to introduce this extraordinary instrument to both beginners and advanced students with the same passion that my teachers (including Sodi Braide, who studied at the Paris National Conservatory of Music (CNSM), and Stéphanie Aubert) used to bring me to my current level—performing in major concerts and competitions with first prize at the CMG. As a mechanical engineering student at EPFL, I can adapt the lessons in a fun yet rigorous way, to captivate young beginners. At the same time, my background allows me to expand and deepen the pianistic knowledge of advanced pianists. I look forward to sharing my passion with you!

Hello there, I am very patient when it comes to teaching. I'm an experienced teacher who can help complete beginners to become autonomous players. What I can do for you: - Take you from the beginning and teach you some basic guitar chords. - Teach you in a very fun way how to sing while playing guitar. Of course, you can choose which songs we are going to work on. I hope to see you very soon in my private guitar lessons! Thank you, Petra *French* Hello everyone ! I am very patient when it comes to teaching. I have experience and can help you start from the basics of guitar to become independent players. What I can do for you: - Starting from the very beginning and teaching you the basic chords. - Fun way to teach you to sing while playing. Of course, all this can be done from the songs of your choice. I look forward to seeing you soon at my private guitar lessons! Thank you so much ! Petra

Classes of guitar, classical, electric, accompaniment, bass for children and adults Courses adapted to your age and level, even for children from 7 years old with a small guitar. Still a few places available. By professional. Current music, accompaniment of songs or classical pieces. All this with the basics of musical theory taught with humor and efficiency. Paper and multimedia supports. Participation in concerts and auditions. You can also rent your instrument from us or buy it at very good conditions. The courses can take place in La-Tour-de-Peilz (VD), or I can come to you in the Geneva, Vevey or Montreux region.

Currently a student at the HEM in Geneva, I offer cello lessons for all levels. Being passionate about music since my youngest age and pedagogy, I offer private lessons, but also support for your child. My pedagogy is based on the pleasure of playing as well as on fun methods that allow you to progress quickly. I also approach some notions of music theory and musical culture which allow to better understand the pieces and which allow to discover the world of music.

I am a Clarinet, Saxophone and Vocal coach from Zimbabwe with over a decade of teaching and performance experience from leading a successful solo career and working as a music teacher. I have a Bachelor of Arts degree in Jazz singing from Haute Ecole de Musique (HEMU) Lausanne where I am currently studying a Masters in Jazz Pedagogy. I have also studied music in Dublin Ireland, where I acquired a Higher Certificate in Jazz and Contemporary Music from Newpark Music Centre's Berklee Track program whi h is facilitated by Berklee College of Music in Boston. I was the 2024 laureat of the Foundation Casino Barrier Award for talent and creativity and a 2018 winner of the Zimbabwean National Arts Council's National Arts Merit Award (NAMA). I am excited to find eager students at all levels who are keen to learn and challenge themselves in making and learning music. My classes are dynamic, engaging and well prepared.

As a violinist: I am currently a student at the Geneva University of Music, after having followed the pre-professional course at the Conservatoire de Musique de Genève. During my career, I won several prizes such as the Vatelot Rampal competition in Paris and the Jeunesses Musicales of Switzerland soloist, and string quartet (alongside Julie Berthollet in particular). I also attended the Indianapolis University Academy summer internship. As a Pedagogue: in addition to sporadically giving individual lessons for 4 years, I was part of the "Jeunesses Musicales of Switzerland" youth and youth internship team for three consecutive years. Overall, my goal is to allow my students to have fun making music, to express themselves as they wish and hear, with their instrument! I adapt the rhythm of my teaching, my teaching materials, the choice of songs to each, according to the requests that are made to me. My classes can also take the status of personal work support; in this case, students can obviously bring me their scores worked with their main teacher, or those they play in chamber music / orchestra. In short: The violin is an art, it learns yes, but we play! :)

Hello ! Violinist and currently a student at the Haute École de Musique de Genève, I offer lessons in violin, viola, musical awakening or music theory for all levels and all ages, but also preparation courses for the baccalaureate option music . I also offer support lessons for students who are already studying in a conservatory. Very interested in pedagogy for a long time, I have already taught private lessons in Paris and Versailles, but also at the conservatory of Dreux in France, where I had the pleasure of being a violin teacher and accompanying my students. in their musical journey. Passionate about music since I was little, I am interested in different styles; so-called “classical” music, due to my training, but also jazz, Klezmer music and Eastern music, due to my origins. From a pedagogical point of view, I know how to adapt to everyone, and the method I propose to learn is centered around the pleasure of playing, while ensuring that I provide my students with a stable knowledge base, theory, practice and musical culture. Hope to meet you, Martha

We will discuss according to your desires: - improvisation - the major popular styles: blues, funk, rock ... - YOUR choice pieces - music theory - musical awakening for the youngest - help with composition (lyrics + music) - the warm up of the voice and the guitar / vocal synchronization

My goal is to develop the best motivation scenario for each student and each situation to be able to achieve short and long term goals in the most effective, deep and captivating way possible. So, here is my way of working in a few lines: Learn the language of music through improvisation, writing, movement, body and instrument in a progressive way. Discover and contextualize the elements that create and connect sounds and rhythms. Develop these skills from play and vocal and instrumental practice. Practice the instrument from the first lessons. To have the keys to approach the musical language and the reading of the partitions. Approach the technical aspects of the instrument in a fun and creative way. Discover the magic of this musical world from the needs and expectations of students in an environment conducive to learning, listening and communication, essential elements for making music and for life. "Music education is actually the education of the person" according to Claudio Abbado. Teacher available, flexible and easy to communicate with. Home tutoring. Languages: Italian (native) French, English (fluent) Davide Master's degree in orchestral instruments, specialty trombone Current studies Master's degree in ancient music, specialty sackbut, HEM Geneva.

Dear parents, dear students, I offer cello lessons for children from 4 years old, for teenagers and for adults, whatever their level. With 10 years of experience in teaching cello, I adapt to the specific objectives of each student. One of my main educational objectives is to awaken and nourish the pleasure of playing music while ensuring structured learning. I taught cello for 6 years at the Geneva Conservatory of Music and 5 years at the Vincent-d'Indy Music School in Montreal and I am committed to creating a learning environment where pleasure and musical progression go hand in hand, whether you are a beginner or already have some practice. Teaching options: • At home • In my studio in Arzier, located next to the train station. Recommended timing by age: • Children 4-6 years: 30 minutes per week • Children 7-9 years old: 45 minutes per week • 10 years and older (adolescents and adults): 1 hour per week • Students preparing for auditions (pre-professional): 2 lessons per week Music theory and musical training will be included in the course. I would be delighted to meet you and share this wonderful musical adventure! Looking forward, Yana

Hello, My name is Louana, I am 30 years old and am currently a piano teacher for students ranging from 3 to 65 years old. Indeed, I started very young music with first 2 years of rhythm then 5 years of Solfege Jacques-Dalcroze and finally 12 years of piano including 10 at the Conservatory of Music in Geneva. (each year of study being validated by exams & diplomas) Today I continue to play for fun and give some of my time to teach a few students once a week. Class sessions are generally 45 minutes to 1 hour as proposed by the Conservatory. I teach with my old scores which allows a gradual evolution step by step. Obviously, I remain attentive to everyone's wishes, but I particularly teach classical music because in my opinion, these are the best bases allowing you to play what you want. I am obviously at your disposal for any further information or to arrange an interview at your convenience. Best regards, Louana

I offer piano or violin lessons, which can be combined with a theoretical part of music theory for beginners, with a working method that meets the student's desires, in various styles of music. Passionate about music since childhood, I won several national competitions in these disciplines during my apprenticeship. Now a student at the Haute École de Musique de Genève in violin, my main discipline, I have also been teaching for five years.

My piano lessons are aimed at beginners as well as more experienced students. We will start by defining together what your objectives are in order to find a learning pace that suits you. I offer a global approach to the piano combining technique, interpretation of pieces of varied styles and improvisation/music theory. A course is generally structured as follows: 1. 5 to 10 minutes of technical work. The development of effective gestures is essential in order to fully express one's musical potential. I offer progressive exercises allowing you to acquire the basics of piano technique (finger independence, velocity, hand coordination, arm mobility, posture, etc.). For young students, this work takes the form of keyboard games. Just like a sport, playing an instrument is a challenge for the body: I ensure that the student adopts a good posture on the instrument, in order to play with control and to avoid tension and injuries linked to an inattentive practice. 2. Interpretation. I propose strategies for structuring the learning of a piece, in order to optimize the time spent working on the piano and to make the student autonomous in their practice. My training at the conservatory allows me to introduce you to the styles of different eras of classical music, from baroque to the present day. I am also open to other musical universes, and the choice of pieces is primarily based on your tastes and desires. For the youngest students, I offer a suitable repertoire (arrangements of classical pieces, film music, video games, anime, songs), as well as simplified scores for a gradual introduction to reading. In order to cultivate motivation, it is important that students play music that speaks to them and that they are not discouraged by music theory. 3. Improvisation and music theory. For students who are beginners or have never done music theory, I teach the necessary theoretical bases (orientating themselves on the keyboard, reading a score, rhythm, listening), often in the form of improvisation games. In addition to developing a personal connection with the instrument, improvisation also allows you to assimilate notions of harmony/counterpoint (scales, intervals, chords) through practice, and to understand little by little how music is constructed. To make the link with the repertoire being worked on in class, I often suggest taking an element of a piece as a starting point for improvising. Of course, nothing obliges us to follow a particular plan, and if you come with a particular desire or a specific objective, I will try to meet your expectations as best as possible. I look forward to reading you, and sharing some beautiful moments of music together.