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Private teachers in Taiwan

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128 private teachers in Taiwan

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128 private teachers in Taiwan

Vocabulary · English · History
French · Grammar · Test prep
Hi all. I am a musicologist, music editor and opera specialist with 15+ years experience in casting, season planning, YAP design and artistic development in the field of opera, as well as university-level teaching experience and academic publications. I am currently residing in Taiwan under the Employment Gold Card programme, looking for local talent to develop either on an individual basis or with a local institution. Knowing Taiwan very well, I have always wondered why there are so few internationally renowned Taiwanese classical musicians. Let's try and change that situation ! Make me believe in your potential ! I am open to discuss artistic development programmes for upcoming Taiwanese opera singers, and to organise YAP, masterclasses and promotional events for Taiwanese institutions and universities. I can prepare detailed artistic development plans for individual artists and place recommendations with international organizations. I have a large network of international contacts which I can use to promote young Taiwanese artists abroad. I am open to take on editorial projects and international promotional activities for Taiwanese composers. I am open to work as a research advisor for postgraduate students in Musicology. I teach intermediate to advanced topics in my fields of expertise, including Opera Studies, Music Palaeography, Editorial Method, Source Studies and European Music History and Analysis. I am also open to suggestions for teaching or promotional activities according to the specific needs of individual artists, teachers, universities or institutions. Simply let me know what you need and we'll take it from there. ==> Be clear about your professional goals. Embarking on a PhD in performance is NOT the preferred road towards becoming a successful international artist. While I do teach music analysis, I do not dabble in "Music Theory" as taught at many US universities and colleges. Stuff such as Schenkerian analysis that was all the rage in the US some decades ago is an intellectual desert based on a nonsensical proposition of musical universality, with nothing to offer the young aspiring professional performer. Currently I teach and interact in English. I also have professional command of Italian, Japanese, French, Spanish and German. In the past I have taught advanced courses in English, Italian and Japanese. I am able to read Chinese, but I currently do not speak beyond the basics (A2). I may code switch between English and Italian, especially when discussing opera topics and while directing or auditioning singers. I expect students to know music notation and to be able to read vocal and orchestral scores. I will help you with the more advanced technical terminology. == My cv in brief == Qualifications: - PhD in Musicology with Opera Studies and Editorial Method (Leeds, UK, 2003) - Master of Music in Musicology with Opera Studies and Editorial Method (Leeds, UK, 1999) - Licence in Musicology (NOVA University, Lisbon, Portugal, 1996) Professional Experience: - 2008-present: Opera planning, casting and YAP design for opera houses worldwide; artistic development for singers - 2009-2016: Editor for CESEM, CIAO and Bärenreiter: Critical editions of "La testa di bronzo" and "Gabriella di Vergy" (Mercadante), and "Sigismondo" (Rossini). - 2008-2011: CIAO (University of Chicago) Post-doctoral researcher in the operas of Rossini under Philip Gossett; - 2004-2008: Artistic development advisor: Design and implementation of artistic development programmes for young artists in cooperation with casting departments at opera theatres worldwide; - 2004-2008: Independent Scholar (Tokyo University of the Arts) MEXT (文部科学省) scholarship for research in Japanese contemporary music and opera, with a focus on the operas of Miki Minoru (三木稔); - 2000-2002: Assistant Lecturer at the University of Leeds (UK), teaching "Issues in Opera" and "Music Palaeography Source Studies and Editorial Method". Taught advanced courses in Opera and Music Dramaturgy at Tokyo University of the Arts (2007) and University of Rome - La Sapienza (2010). Published academic papers and gave conference presentations on Puccini, Mercadante, opera dramaturgy and Japanese contemporary opera. Led the critical editions of the scores of operas by Rossini and Mercadante. Member of the International Musicological Society. Expert user of music notation software Finale.
Music history · Opera
Hi, I am Antoine, a 33 yo frenchman from Paris and I have been living in Taipei for 8 months now. I am graduated from a Master in economic and financial engineering applied to Real Estate. After 8 years of career in corporate advisoring in Paris, I moved to Taipei to study mandarin (8 months now) and pursue my career in photography ! Passionated as well by languages I am now willing to help you improve your french ! Learning a language is a real challenge that requires above all methodology and discipline but also self-confidence thanks to a tutor who will create a serene and motivating environment! My method for false beginners or intermediate is based on conversations in order to develop practical and natural language skills. The sessions are based on practical situations or specific thematics to keep the student motivated and captivated. During the learning process, I also always give a specific attention to the student thoughts so we optimize the time spent together and remain on the right direction of improvement. ------ 您好,我是安東尼,一位來自巴黎的法國人,今年33歲,目前在台北居住已有8個月。我擁有經濟與金融工程應用於房地產的碩士學位。在巴黎從事企業諮詢工作8年後,我搬到台北學習中文(目前已有8個月),並追求我的攝影事業!同樣地,我對語言也充滿熱情,並期待協助您提升您的法語能力! 學習一門語言是一個真正的挑戰。要學好,首先需要必須要有方法和紀律,同時也需要自信。這需要導師為學生提供出安穩但激勵的學習環境! 針對初學者或中級水平的學生,我的教學方法會根據你的需求調整,所以不用擔心!為了培養實用且自然的語言技能,我們將一起學習寫作、閱讀和口語。課程會由實際情境或特定主題出發以保持學生的積極性和課程吸引力。 在學習過程中,我會特別關注學生的想法,以便我們能夠隨時調整往的正確方向前進。 關於我: 我曾在法國教中學生英語將近10年,此外,我還教授初學者攝影。我在企業/房地產戰略諮詢領域有8年的工作經驗,因此很習慣向客戶解釋和規劃長期複雜項目(主要是美國/亞洲客戶)。教學和耐心對我來說不是問題!
French · Vocabulary · Communication skills
Science · Math · Chemistry
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