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Private teachers in Sant Manden

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3199 private teachers in Sant Manden

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3199 private teachers in Sant Manden

(6 reviews)
Adeline - Paris£46
Trusted teacher: I am a lyrical singer with a Prix de Chant/DEM and a Bachelor's degree in Musicology, with extensive stage experience and have been teaching classical singing and contemporary music between Munich and Paris for over 15 years. I enjoy coaching professionals in their vocal technique and interpretation as much as I enjoy providing a solid foundation to complete beginners and having them sing songs they like, or simply having intermediate students work by adapting to their requests. My classes combine technique and humor. The playful approach to singing while remaining rigorous quickly leads us towards the pleasure of expressing ourselves fully and freeing our voice while developing our personality. I also attach great importance to technique which gives us confidence and motivation. The student can then explore the full extent of his voice without forcing it, and approach difficulties with ease, in order to leave free space for his interpretation. Each lesson begins with awareness of your body and your posture, coordination and freedom of movements. we then work on our breathing in order to establish low and deep intercostal breathing, and finally to feel the resonators in our rib cage and our face. vocal work begins with phonation exercises to connect breathing and vocal production and vocalizations to place your voice. The second part of the lesson is devoted to singing a piece chosen together. I also support you in your projects requiring preparation of the spoken voice, public speaking, actor's or teacher's voice, which I associate with work on self-confidence and physical presence. My classes are a little longer for more flexibility and last 1 hour 15 minutes (even if they are displayed at 60 minutes)
Singing
(9 reviews)
Cécile - Bagnolet£48
Trusted teacher: Singing courses in current music in all styles (song, pop, rock, R&B, rap, slam, jazz... by qualified teacher in vocal training (currently at Cours Florent and at the Conservatoire de Paris 7ème, also vocal coach at Disneyland Paris and in private); I offer singing courses in different timetables: -one day 2 hours (mini-voice assessment course) -two days 2 hours/day (+ in-depth assessment and recording of personalized vocalizations offered) -three days 2 hours/day (in-depth assessment + recording of personalized vocalizations + work tracks) -four days 2 hours/day (course adapted to put together a specific repertoire, or rehearse a singing trick, with the addition of the previous elements) -five days 2 hours/day (course adapted to put together a specific repertoire, or rehearse a singing trick, with all the previous elements and one more day for in-situ spinning). In all formulas, you leave with a USB key of personalized vocalizations and work tracks, advice, exercises to progress vocally in the right direction. I created these courses to respond to a request: to have you work on the preparation of a show, an album recording, an EP, to support you in writing/composing songs (I am also a songwriter and performer), in rehearsals of a singing tour (this can also be outside, on stage on set or in the studio), of a project to put together a precise repertoire, to help you learn sung music theory , deciphering songbooks, lead sheets, support in learning a sung role in a musical for example... this coaching can be in French or in English of course! And always in FUN! ... sine qua non condition of all musical learning! See you soon :) Where is it ? At the Porte de Paris at the Gallieni metro (L3). Contact me for more information, adaptable and above all personalized formula. Alone or in pairs (decreasing prices), prices on request via the Apprentus website (2 people contact me).
Singing
(2 reviews)
Emmanuelle - Paris£51
Trusted teacher: I am a professional lyric soprano graduated from the CNSM of Lyon. I participate in productions with the Concert d'Astrée, the Choir of Namur, Accentus, the Opéra National de Lorraine, Choir de la Chapelle Harmonique. I am also on the lists of the Montpellier Opera, Concert Spirituel, Ensemble Correspondances and Radio France choir. I have just finished a production of Haydn's Die Schöpfung at the Opéra National de Lorraine last January-February, conducted by Marta Gardolinska (Guillaume Fauchère choir director), directed by Kevin Barz. I sang solo and in chorus the role of the Trojan woman in Campra's Idomenée in 2021 at the Lille Opera and the Berlin Staatsoper, staging of the fura dels baus, I also sang the solo of Campra's Requiem at the philharmonies of Luxembourg, Lille, Essen Cologne and Berlin with the Concert d'Astrée in 2019 directed by Emmanuelle Haïm. In 2019, I participated in the production of Les Indes Galantes by Rameau with the Namur Choir at the Opera Bastille, directed by Leonardo Garcia Alarcon and directed by Clement Cogitore. In 2022, I participated in numerous productions, notably with the Accentus choir in Beethoven's 9th symphony, the missa solemnis or even a polyphonic baroque project. In 2022 I participated in the production of Hulda by Cesar Franck with the Namur Choir at the Grand Manège de Namur, the Liège Philharmonic and the Théatre des Champs Elysées. My background as well as my skills in lyrical singing allow me to master my instrument well. I am a very curious and very patient person, and I like to find solutions to problems. Transmitting my passion to students wishing to discover or develop their voices, discover their artistic personality would be a great pleasure for me. If I can transmit this joy that I have from singing as well as my acquired knowledge, it would be a great exploration for them as for me.
Singing · Music theory lessons · Opera
(1 review)
Saina - Paris£31
Trusted teacher: Beginner level : Expected duration: approximately 12 and 18 months / 1 hour of lessons per week 1. 3 or 4 music theory sessions containing instrument structure and Western notation (with a brief historical explanation of why we use this notation system today). 2. Start with the first and second music conservatory books which emphasize precise execution of notes and rhythm. Concrete listening exercises: Before explaining a musical concept, students are encouraged to listen to suggested examples of a specific form, genre, or style and express their analysis in class. 3. Teaching correct posture and how to focus on body and breathing during play. 4. Beginning of improvisation exercises based on the rhythms of Persian poems: At this level, we do not use Western notation and we rely solely on the repetitive rhythms of the poems and melodic creativity. Intermediate level : Expected duration: approximately 2 and 3 years / 1 or 2 hours of lessons per week 1. Teaching studies and technical pieces with emphasis on the use of Western notation and paying attention to verbal points that are not included in the notation (At this level, students should not have any difficulty reading notes). 2. The beginning of teaching Radif (practical repertoire of Persian music) without using notation and entirely orally. 3. Continue the listening exercises to understand the difference between modes and concepts related to Iranian music. 4. Memorize the pieces, perform them based on memory and precision of sentence logic and modal precision. 5. Improvisation exercises based on Iranian music modes. The student is asked to make musical sentences after having learned each mode (according to the logic that he has heard and learned in the pieces). 6. The first concert and professional recording experiences of the pieces taught with the advice of the teacher. Higher level : Expected duration: approximately 2 and 3 years / 1 or 2 hours of lessons per week 1. Achieve a comprehensive understanding of the modal system in Persian music through the interpretation and analysis of the Iranian musical repertoire. 2. Beginning of composition exercises based on the rhythmic and modal system of Iranian music. 3. Teaching the principle and methods of modulation in improvisation in three stages: • Listen, memorize and accurately perform the improvisations of the ancient masters. • Make a collage of phrases from the master's recorded improvisations. • Create pieces based on the common logic of improvisation in Iranian music. Additional explanation: - This planning is a completely personal method and its auditory and oral aspects are different from the academic method. - As is evident, my teaching style is based on the knowledge and ability to use European music theory while preserving the traditional and historical characteristics of Iranian music. I have two reasons for using and emphasizing learning Western notation: first, it has become the common way to write and record our music today. Substituting any other method will cause problems for the student. Second, using Western notation speeds up the training process (especially at the elementary level). From experience, the training time of those who have only been trained in the traditional and oral way is longer, and in addition, in the oral way there is no analysis in the way to train. - Traditional and oral teachings are anchored in the concepts of Iranian mysticism. The use and reference to Persian poems, the discussion of ethics, appreciation and reliability of the artist are all positive points of this method, which I also try to address in my teaching.
Music theory · Music teacher training
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 94 reviews.

Improve your speeches in public and in meetings / Brussels (Brussels)
Charlotte
Charlotte is a superb instructor. I took classes with her at her home for several months to improve my public speaking skills. During each session, Charlotte helped me work on my tone and delivery through various public speaking exercises. Charlotte asked me to prepare short written assignments before our meetings, so that I could practice delivering my script using various speaking techniques during the class. For these assignments, Charlotte was very engaged and made sure that the assignments would assist me in my specific professional goals. She did this by tailoring the subject matter to my professional work - mostly legal and political matters - and she pushed me to consider what I wanted to achieve from my audience with each speaking opportunity. Charlotte, however, is not only a skilled professional. She is also a tremendously kind, energetic and dynamic person to work with. She made me feel comfortable sharing my vulnerabilities, which made the process of receiving constructive feedback a fun and welcomed experience. She encouraged me to practice my public speaking in French - which is not my first language - and made me feel at ease. She is kind, understanding and an incredibly nice person. If you are looking for a professional who is dedicated to helping you improve, welcomes your goals and ideas, and who is a pleasure to meet with each week - then look no further than Charlotte.
Review by ARIEL
Private lessons in Japanese all levels up to JLPT N1 (Paris)
Anne-Claire
I love my lesson with Claire 🥰 She is very kind and passionate! I enjoyed learning not only Japanese but also Japanese culture. She knows the learning process to a language and gives great techniques to improve. She is very prepared and adapts to the student. I'm looking forward to my next lesson with her! I recommend 100%
Review by AYLIN
Singing lessons in all styles by qualified singer, 17 years of experience (Paris)
Adeline
Adeline is an amazing teacher. Very knowledgeable and precise but yet with an empathetic, encouraging and humorous approach that just made it easy for me to step out of my comfort zone. Very glad I found her and can only recommend!
Review by CAROLIN

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