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Discover the Best Private Music composition Classes in Montreal

For over a decade, our private Music composition tutors have been helping learners improve and realise their ambitions. With one-to-one lessons at your home or in Montreal, you’ll enjoy high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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4 music composition teachers in Montreal

(2 reviews)
Noémy - Montreal, 10£45
Trusted teacher: English follows I am a graduate of the highest music schools and universities in Switzerland (HEMU Lausanne, HEM Geneva) and in Canada (McGill Schulich School of Music, Montreal). I give my lessons at home / online but I also travel if necessary. I teach cello technique using various teaching methods with great classics such as Navarra, Lee, Feuillard, Dotzauer, Popper, Starker and many more... I teach for all levels: beginners - adults - intermediate, advanced and professional and in various styles of music: classical, jazz and world music, (Eastern Europe, Balkans, Near and Middle East, Asia Minor, North Africa and Brazil). I work a lot on posture in my teaching, because it is an element that I believe is essential in teaching a musical instrument and which is unfortunately not taken seriously or considered enough. I had the chance to work with Mrs. Aude Hauser who is a recognized physiotherapist in Switzerland and Europe specialized in musicians. I am a certified teacher from the Conservatories and Higher Music Schools of Switzerland, but also from the Association of Graduate Music Teachers of Quebec (APMQ), as well as universities in Canada. Instrument-wise, I also have a small cello collection, to be discussed. I also teach on weekends, depending on my availability. I am a graduate of the Universities of Music in Switzerland, HEMU, Lausanne, HEM, Geneva and in Canada (McGill Schulich School of Music). I give my classes at my studio or online but I also move if necessary. I teach the cello technique using various teaching methods of great classics such as Navarra, Lee, Feuillard, Dotzauer, Popper, Starker and many others... I teach for all levels (beginner adults and children), in various styles of classical music, jazz, world music, (Eastern Europe, Balkans, Middle East, North Africa and Brazil). I work a lot on posture and had the chance to work with Madame Aude Hauser, a renowned physiotherapist in Switzerland and Europe who specializes in musicians. I am a certified professor at the Conservatories and Hautes Ecoles de Musique de Suisse, but also at the Association des enseignants de musique diplômée du Québec (APMQ), as well as at universities in Canada. Talking about the instrument: I also have a small collection of cello, to discuss. I also teach on the weekend, depending on my schedule.
Cello · Music composition · Music teacher training
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Trusted teacher: Who is this workshop for? For anyone curious about sound, all music, music in general, who wants to manufacture, build, examine ... (from 12 or 13 years old). Do you need to know music theory? No. But familiarity with music of various styles can be of great help. DJ? "Electro" music? No ! We will not learn here to be a DJ or to compose “dance-music”, “electro” music in the commonly understood sense, not even songs. Do you need to know the computer? It is better if it is, but learning can be done at the same time as musical research. Is this course a software learning course? No. I give the basics (only on Logic Pro X or Garageband) to be able to compose but I do not teach the deep use of software. Is it necessary to have a computer? Yes ! A "workshop" rather than a class? The course takes the form of a practical workshop, listening sessions, criticism of works. By computer? Everything happens on a computer once sound elements of all kinds have been recorded. Editing, transformation, mixing on software designed for this. No software required. The proposed route can be adapted to any multitrack sequencing software. The computer is only a tool, it is the composer who makes the music. Practically what do we do? The composer works “from the sounds” that he has most often recorded himself. He chooses them, assembles them, deforms them, mixes them according to his project, at will. of his intuition, his ideas and desires, gradually builds a music. For those who wish and need it, exercises are offered which allow to approach at the same time techniques of realization and precise musical proposals. Composition / Invention It is not a question of declaring themselves all composers, but of affirming that we can all ask ourselves composers' questions, with both seriousness and imagination. To confront the game of a free invention. What musical orientation? What style ? This is a “musical research” process: seek to invent a music beyond traditional values - note pitches, regular pulsations, instrumental timbres - without forbidding all that. A “music of sounds”, in the broadest possible sense, a “music of all sounds “as opposed to what one could obviously call too simplified“ a music of notes ”. This choice, which apparently seems to shake up musical uses, is nevertheless part of a tradition of more than a century and rich in a repertoire that is too little known and which has had various names: - Electroacoustic music - Concrete music - Acousmatic music - Contemporary music Finally, we each have a precious tool to never forget: our ear, and a fascinating and rewarding job to lead, questioning about oneself.
Music composition · Computer generated music · Sound (music)
What You'll Learn: Composition Techniques: Learn how to structure songs, craft memorable melodies, harmonies, and rhythms, and bring your musical ideas to life. Audio Mixing: Master the art of balancing tracks, EQ, compression, and reverb to create professional-quality mixes that stand out. Plugin Use: Explore Logic Pro’s vast library of stock plugins and third-party options to sculpt unique sounds and enhance your productions. Sound Manipulation: Dive into advanced techniques like pitch correction, time-stretching, and creative sound design to transform your music. Recording Essentials: Discover best practices for recording vocals and instruments, setting up your workspace, and achieving clean, polished audio. Sound Design & Sampling: Use Logic Pro's synthesisers and samplers to design custom sounds and create textures that make your tracks unique. Automation & Effects: Add depth and dynamics to your projects with automation, effects chains, and advanced routing setups. Computer-Generated Music Techniques: Harness the power of MIDI and virtual instruments to create music across genres, from electronic to cinematic scores. What to Expect: Hands-On Learning: Practical exercises and real-time projects tailored to your experience level. Professional Tips & Tricks: Insider knowledge from an experienced music producer, composer and sound designer who’s worked with renowned artists and brands like the BBC and Microsoft. Flexible Learning: Choose between the convenience of online sessions or the engaging atmosphere of in-person classes. No matter your background or musical style, you’ll leave equipped to produce high-quality tracks that reflect your unique artistic voice. Ready to Create?
Computer generated music · Music composition · Sound (music)
Trusted teacher: (Important! The schedules are now closing with the students I already have, so it is difficult to specify a definitive schedule for September) Hello! I have been teaching uninterruptedly for more than 10 years and I would like to explain to you what you can find in a class with me: - To begin, the most important thing is to know what you want to achieve. I would like to focus the classes according to what you need or want, from learning for pure pleasure from scratch to preparing for entrance tests or focusing professionally. The needs of each student may vary the methodology, the way of organizing the study sessions, etc. - Once we know what we want to achieve and by when, classes will begin in a relaxed atmosphere. Important! Relaxed does not equal lax! only that we will try to resort to dynamic and as practical methods as possible, especially given my character and sense of humor ;). - Something important to highlight is that I always place special emphasis on the development of hearing, musicality and the analysis of your references. Above all so that you can then make your own aesthetic decisions and feel like owner of your music. - Last but not least, my tendency will be to give equal importance to different music. We will adapt to your tastes and needs, but here there is no room to say which music is better or worse. Each one will help us work on different aspects of the music and, if we don't know something, we will analyze it side by side until we unravel all its mysteries. The only thing I will do is work on themes and styles that can help us in each section of musical development (melody, harmony, rhythm, orchestration, production, lyrics, semiotics, etc.) If you like what you've read, don't hesitate to contact me. Learning music is a pleasure and I would love to share it with you! IMPORTANT!!! Due to the volume of concerts and other assignments I have, I will need to agree on a little flexibility. You will always be my priority and there will only be changes if I really can't find an alternative. I appreciate the understanding.
Music theory · Music composition
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 114 reviews.

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My experience right now with Gema is that she's an amazing teacher and she is good at spotting mistakes on your keys and helps me to play with confidence to get ready to pass my exam.
Review by JACOB